Ballin was born in New York City and studied at the Art Students League of New York. When the Wisconsin State Capital was built in the early 20th century, Ballin created 26 murals for its interior.[5] In 1917 he began working for Goldwyn Pictures in New Jersey as an art director and production designer, and in 1921 he moved to Los Angeles at the request of Samuel Goldwyn. He was soon also directing, writing, and producing silent films for his own production company. He was married to the actress Mabel Croft Ballin.
When Hollywood began making talking pictures, Ballin left the film industry to return to his first career as a classically trained artist. He became one of the foremost muralists in the Los Angeles area, producing murals which still stand at landmark locations such as Griffith Observatory, Wilshire Boulevard Temple, LA County General Hospital (now known as Los Angeles County-USC Medical Center), and Burbank City Hall.[6]
Ballin became a National Academician in 1906, when the Society of American Artists, to which he was elected in 1905, merged with the Nation Academy of Design. That same year, Ballin received the National Academy of Design's Thomas B. Clarke Prize for his work, "Mother and Child". In 1940, for his work "The Deposition", depicting Christ being removed from the cross, he was again awarded the Clarke Prize, a rare occurrence in Academy history.[7]
A series of fresco murals depicting the medical sciences in the vaults and groins of the entry to Los Angeles County General Hospital (nka LAC-USC Medical Center), a building also containing works by sculptor S. Cartaino Scarpitta.[9] The murals are the only known public frescos created by Ballin.[10]
The Apotheosis of Power (Southern California Edison Building/One Bunker Hill along with the works of Robert Merrell Gage, Barse Miller and Conrad Buff)
