Despite Earle's broad success with elevating the quality level of the Odesa Philharmonic Orchestra, he has publicly criticized the local government for its lack of support. In an interview with Vladislav Davidzon, editor of The Odessa Review, he explained that the orchestra was forced to be self-sufficient in the face of a lack of support:
"We even did dental work for wind players so that they could continue to play fifteen years ago. It turned out to be a very important issue, I had one horn player who had a number of teeth pulled by an idiot dentist and so he could not put his dentures in and was completely unable to play. We were very fortunate and found a French-Swiss dentist who told us he could fix this. Our man is still playing the horn, his son is our principal horn player. While we were at it, we decided to do the same for all the other wind players as they all had serious dental issues."[5]
His recordings were released on such labels as Naxos, Albany, ASV Records and Toccata Classics. Earle's performance of Tchaikovsky's 5th symphony, recorded live in concert by Austrian broadcaster ORF in Vienna's Musikverein, was awarded Best Classical Album in California in 2002,[9] and his live recording of Myroslav Skoryk's 75th birthday concerts was selected for the "Chairman's Choice 2014 – Klaus Heymann's Favorite Naxos Releases."[10]
Awards
In 2003, in conjunction with leading newspapers in Ukraine, the Russian Cosmonaut Association named a star in the Perseus (constellation) as "Hobart Earle".[11]
Earle was named one of 30 "Professionals of the Year" by Musical America in 2014.[12]