Hiram Abrams (February 22, 1878 – November 15, 1926) was an early American movie mogul and one of the first presidents of Paramount Pictures. He was also the first managing director of United Artists.
Biography
Hiram was born in Portland, Maine, the son of a Russian Jewish immigrant who became a real estate broker. Hiram Abrams left school at the age of sixteen, sold newspapers, and eventually ended up managing several Portland film theaters.[1] By 1909, he began marketing films, and later became a distributor.
Paramount
Through the motion picture industry, Abrams became acquainted with W. W. Hodkinson and when Hodkinson founded Paramount Pictures in 1914, Abrams began serving on the five-man board-of-directors.[2] When Hodkinson denied Paramount partners Adolph Zukor and Jesse L. Lasky more of the profits, Zukor - in a Machiavellian plot - devised a coup.
Zukor and Lasky sold Hodkinson more of their film rights and, using that money, they purchased Paramount stock to, by 1916, gain a majority of it. Then with Abrams, James Steele and William Sherry, they used this majority to vote Hodkinson out. Abrams took over as president and Steele as treasurer.[3]
In 1917, Abrams, while in Boston, organized a party for Fatty Arbuckle, Zukor, Lasky, and several others.[4] Eventually, the party, sans Arbuckle, moved to Mishawum Manor, an inn of notorious reputation. Willing women appeared, and later a photographer. A few days later, it became evident the moguls had been caught in a badger game. Daniel H. Coakley, a notoriously crooked Boston lawyer, threatened arrest on moral charges. Studio lawyers were hastily summoned and eventually $100,000 was paid to have the charges dropped. It is likely this escapade cost Abrams his job, as Zukor fired him soon afterwards.[5]
During the company's early years, there were serious problems. The United Artists could not produce a continuous flow of films for theaters and suffered serious distribution problems caused by competing firms.[7] Schulberg walked away within two months.[8] Roughly a year later, he sued Abrams, alleging Abrams had breached their partnership agreement.[9] These distribution problems were not solved until Joseph Schenck, Abrams' successor, took over.
During Abrams' tenure, however, United Artists did release Griffith's Way Down East (1921) and Chaplin's The Gold Rush (1925). Both were enormously successful, becoming two of the top ten grossing films of the 1920s.[10]
Abram's involvement in United Artists, and his life, ended in Manhattan on 15 November 1926, from a sudden cardiac incident, aged 48.[11]
References
^Arthur Douglas Stover, Eminent Mainers: Succinct Biographies of Thousands of Amazing Mainers, Mostly Dead, and a Few People from Away Who Have Done Something Useful Within the State of Maine, Gardiner, Maine: Tilbury House, 2006.
