Henry Lamb

For the Scottish amateur golfer, see Henry Lamb (golfer). For the Tasmanian politician, see Henry Lamb (politician). For the Missouri politician, see Henry Lamm.

Henry Lamb
MC RA
Born
Henry Taylor Lamb

(1883-06-21)21 June 1883
Adelaide, Australia
Died8 October 1960(1960-10-08) (aged 77)
Salisbury, Wiltshire, England
NationalityBritish
Education
Known forPainting, drawing
Notable workIrish Troops in the Judaean Hills Surprised by a Turkish Bombardment
MovementLondon Group, Camden Town Group
Spouse
​
(m. 1928)​
Children3, including Henrietta Phipps and Valentine Lamb
AwardsMilitary Cross

Henry Taylor Lamb MC RA (21 June 1883 – 8 October 1960) was an Australian-born British painter. A follower of Augustus John, Lamb was a founder member of the Camden Town Group in 1911 and of the London Group in 1913.

Early life

Henry Lamb was born in Adelaide, South Australia on 21 June 1883, the son of Sir Horace Lamb FRS, who was the professor of mathematics at Adelaide University.[1] When Horace Lamb was appointed to the Chair of Mathematics at the Victoria University of Manchester in 1885 the family moved back to England.[2] Henry Lamb was educated at Manchester Grammar School, before studying medicine at Manchester University Medical School and Guy's Hospital in London, but Lamb abandoned medicine in 1906 to study painting at the Chelsea School of Art, then run by William Orpen and Augustus John.[3] In 1907, Lamb studied at the Académie de La Palette in Paris, an art academy where the painters Jean Metzinger, André Dunoyer de Segonzac and Henri Le Fauconnier taught.

Lamb met his future wife Nina Forrest in 1905 during the final term of his medical studies in Manchester and they ran away to London together that summer. A popular story is that Lamb nicknamed her "Euphemia" because of an apparent resemblance to Mantegna's portrait of Saint Euphemia; it was however her middle name.[4][5] They were married in May 1906 when she became pregnant but she lost the baby due to a miscarriage. The relationship was short-lived, but they did not divorce until 1927[6] shortly before Henry married Pansy Pakenham.[1]

In 1908, 1910 and 1911 Lamb worked in Brittany, where he painted his most famous work, Death of a Peasant.[7]

World War One

Irish Troops in the Judaean Hills Surprised by a Turkish Bombardment (1919), (Art.IWM ART 2746)

At the start of World War One, Lamb returned to his medical studies and qualified as a doctor at Guy's Hospital.[2] Lamb saw active service in the First World War in the Royal Army Medical Corps as a battalion medical officer with the 5th Battalion, The Royal Inniskilling Fusiliers and was awarded the Military Cross. Lamb served in Palestine and on the Western Front and was badly gassed not long before the end of the war. In February 1918, before he was demobilised, Lamb was approached by British War Memorials Committee of the Ministry of Information to produce a large painting for a proposed national Hall of Remembrance. After he was demobilised in March 1919, Lamb began work on the painting, Irish Troops in the Judaean Hills Surprised by a Turkish Bombardment, which is now in the Imperial War Museum.[8]

World War Two

After the war Lamb settled in Poole, Dorset, where he remained for a number of years. In December 1940, he was appointed a full-time war artist to the War Office by the War Artists' Advisory Committee and throughout the war was to produce a large number of portraits and figure paintings. As well as portraits of high-ranking commanders, Lamb painted servicemen and women, operations at Old Sarum aerodrome and tank training exercises. Throughout the winter of 1941, he was attached to the 12th Canadian Army Tank Battalion, then training in southern England, before doing a series of Auxiliary Territorial Service and Anti-Aircraft Command personnel portraits.[9] The Imperial War Museum held an exhibition of Lamb's wartime work in 1958, and again in 1961.[10]

Recognition

Death of a peasant, 1911, oil on canvas, 485 × 420 mm, Te Papa

Lamb is noted for his unusual portraits, as exemplified by his well-known picture of an elongated Lytton Strachey.[11] He was elected an Associate of the Royal Academy in 1940 and was made a full Member in 1949. He was a Trustee of the National Portrait Gallery from 1942 and of the Tate Gallery from 1944 to 1951.[12] His auction record was set at Christie's in London in June 2006 when his 1910 Breton Boy oil on panel fetched £60,000.[13] As well as the Imperial War Museum, works by Lamb are held in regional museums throughout Britain, in the British Government Art Collection[14] and in the National Gallery of Canada, which received the majority of Lamb's portraits of Canadian troops at the end of World War Two.[9]

Personal life

Lamb married Lady Pansy Pakenham, a daughter of the 5th Earl of Longford, in 1928, and they had a son and two daughters, including the landscape gardener Henrietta Phipps, and the journalist Valentine Lamb.[15] Lamb was a friend of Lady Ottoline Morrell. He died on 8 October 1960 at the Spire Nursing Home in Salisbury, Wiltshire at the age of 77.[1][12]

The character and appearance of the composer Lewis Dodd in Margaret Kennedy's The Constant Nymph was based on Lamb, who was a gifted pianist. Kennedy's cousin George was one of Lamb's oldest friends.[16]

Lamb's siblings included the classicist Walter Lamb and the archaeologist Dorothy Lamb. His nephew was the climatologist Hubert Lamb and his great-nephew was the Liberal Democrat politician Norman Lamb.

References and sources

References
  1. ^ a b c Farr, Dennis. "Lamb, Henry Taylor". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/34377. (Subscription or UK public library membership required.)
  2. ^ a b Ian Chilvers, ed. (1988). The Oxford Dictionary of Art. Oxford University Press. ISBN 0-19-860476-9.
  3. ^ Frances Spalding (1990). 20th Century Painters and Sculptors. Antique Collectors' Club. ISBN 1-85149-106-6.
  4. ^ The Diary of Virginia Woolf, 1920-1924, Hogarth Press, 1978, p. 54
  5. ^ The Modern British Paintings, Drawings, and Sculpture, Mary Chamot, Oldbourne Press, 1964, p. 164
  6. ^ Joanna Banham (2013). Berk Jiminez, Jill (ed.). Dictionary of Artists' Models. New York & Abingdon: Routledge. pp. 311–312. ISBN 978-1-135-95914-2.
  7. ^ House, John; Stevens, MaryAnne, eds. (1979). Post-Impressionism. The Royal Academy of Arts/Weidenfeld and Nicolson. ISBN 0-297-77713-0.
  8. ^ Art from the First World War. Imperial War Museum. 2008. ISBN 978-1-904897-98-9.
  9. ^ a b Brain Foss (2007). War paint: Art, War, State and Identity in Britain, 1939-1945. Yale University Press. ISBN 978-0-300-10890-3.
  10. ^ Imperial War Museum. "War artists archive Henry Lamb". Imperial War Museum. Retrieved 13 September 2013.
  11. ^ Tate (2004). "Display caption,Lytton Strachey by Henry Lamb". Tate. Retrieved 13 November 2013.
  12. ^ a b Paul Gough (2011). Your Loving Friend, Stanley. Sansom & Company. ISBN 978-1-906593-76-6.
  13. ^ Christie's 20th Century British Art
  14. ^ Artworks by or after Henry Lamb, Art UK. Retrieved 22 November 2013.
  15. ^ "Henrietta Phipps, landscape gardener - obituary". The Telegraph. 24 June 2016. Retrieved 22 December 2018.
  16. ^ Violet Powell. The Constant Novelist: a study of Margaret Kennedy, 1896-1967 (1983), p. 57-68
Sources
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