Helena Kaut-Howson (born 1940) is a Polish-born British theatre director.
Early life and education
Helena Kaut-Howson was born (as Helena Kaut) in Lviv, a Polish city which was recently forcibly incorporated into Soviet Union.[1] She is a child Holocaust survivor. She grew up in Wrocław, Poland.[1] Her training as a director was first at the Polish State Theatre School and then at the Royal Academy of Dramatic Art.[2]
Kaut-Howson was artistic director of Theatr Clwyd in Wales between 1992 and 1995.[3][6] The Board decided not to renew her contract, despite the financial and critical success Clwyd had under her leadership.[7]
Some of the plays she has directed are her own adaptations.[3] This includes Faithful Ruslan, which she adapted from the book by Georgi Vladimov.[9][10]
Themes
Although Kaut-Howson does not call herself a feminist, her productions are often identified as feminist.[2][11][12] In her production of King Lear at the Leicester Haymarket Theatre, later transferring to the Young Vic, the part of King Lear was played by a woman, Kathryn Hunter, a decision which was called "controversial".[2][11][13][14]
Kaut-Howson values working with actors from the theatre company Complicité.[2] She believes that theatre is about a company performing, rather than individual actors.[2]
Kaut-Howson was instrumental in bringing the work of Bruno Schulz to the stage.[15][9]
Awards
Peter Brook Open Space Award 1994 for Outstanding Body of Work at Theatr Clwyd[3]
Liverpool Post and Echo Arts Award 1992 for Best Director (The Devils)[3]
^Pascal, Julia (2005). Women in Theatre 2#3. Routledge. ISBN9781135305352. As we go to press it is revealed that, despite her success at Clywd, the Board is not renewing her contract