In 1920, Beisenherz switched to the film industry. In the early 1920s, he designed some films for the first time, but continued to work as an artist. He was then invited to the Soviet Union by the Ukrainian Photo and Cinema Administration (ВУФКУ) and worked from 1926 to 1928 in the Odessa Film Studios under the Russified name Georgiy Bayzengerts (Ru: Георгий Байзенгерц). At the beginning of the 1930s, he returned to German cinema. There he created the sets for comedies by and with Heinz Rühmann, but also for Nazi propaganda films such as Wunschkonzert and Spähtrupp Hallgarten. Between 1939 and 1945, and in 1952, he worked regularly with his colleague Alfred Bütow.
Beisenherz's post-war works were almost insignificant.
