Goldman's work in the area of ceramics ranges from approximately 1973–1987.The work is characterized by asymmetrical organic forms and rich multi-fired surfaces that reflect the effects of time and aging. His vessel "Wolley Zuff" was featured in Peter Lanes book Studio Ceramics[10] and on the cover of American Ceramics Magazine.[11] Goldman's ceramic work has been featured in many issues of Ceramics Monthly Magazine[12]
He has taught ceramic workshops at both the Penland School of Crafts and the Haystack Mountain School of Crafts. Goldman's ceramic work has been acquired by both public and private collections including the Museum of American Ceramics, Pomona California.
Goldman's work in the area of ceramics ranges from approximately 1973–1987.
The work is characterized by asymmetrical organic forms and rich multi-fired surfaces that reflect the effects of time and aging. His vessel "Wolley Zuff" was featured in Peter Lanes book Studio Ceramics[13] and on the cover of American Ceramics Magazine.[14] Goldman's ceramic work has been featured in many issues of Ceramics Monthly Magazine
[15]
He has taught ceramic workshops at both the Penland School of Crafts and the Haystack Mountain School of Crafts. Goldman's ceramic work has been acquired by both public and private collections including the Museum of American Ceramics, Pomona California.
Digital Imaging
Goldman's work in the area of digital imaging can be characterized by a rich use of the color, pattern and texture as well as a multi-layering of photographic elements. Art historian Dr. Thomas Stubblefield, has stated,"Utilizing digital photography to carefully layer graphic elements of the natural world, Goldman’s images blur the boundaries between still and moving images, painting and photography, realism and fantasy. These tensions form the basis of his Veiled Ancestors and Coincidentia Oppositorum series, a body of work that originates from the vast catalogue of photographs that the artist has collected from his daily walks in the woods. In this work the camera is called upon not to suspend or freeze time but to expand its reach, accumulating multiple moments within its frame" and "In his Extremities and Digits series, Goldman interrogates the inner workings of his primary tool, the hand. Despite never actually disclosing the artist himself, the work comprises a self-portrait of sorts. It is a meditation on the mystery of the creative process and the interconnectedness between the artist’s identity and his daily work."[16]
Experimental animation and visual music
Goldman's work in the field of animation can be catalogued under the categories of experimental film and visual music. Goldman"s work have been displayed in film festivals worldwide, including, the Smithsonian's Hirshhorn Museum and Sculpture Garden,[17][18] the Corcoran Gallery of Art[19] the White Box Museum, Beijing, China,[20] Kyoto Museum, Japan and MuVi4,[21] in conjunction with the Fifth International conference; Synaesthesia: Science and Art, Alcalà la Real, Jaèn, Spain. His animation "Sabinium" was created in collaboration with composer Ken Ueno. "Brahmanda", "Enigma" and "Passaddhi" have been created in collaboration with Chinese composer Jing Wang.[22]