In the summer of 1902, Hoffman went to Old Lyme, Connecticut, to study at the Lyme Summer School of Art. Old Lyme was then a center of American Impressionism and known for its art colony.[1] Three years later, Hoffman settled in Old Lyme, which remained his home until his death.[1] He later helped to save Florence Griswold's house, which was a nucleus of the art colony, so that it could be converted into the Florence Griswold Museum.[2]
In 1910, he married fellow artist Beatrice Pope; they had one child.[1][2]
Hoffman died at 92, the longest-lived of the Old Lyme colony of Impressionists.[2]
Art
Early in his career, Hoffman focused on Impressionist landscapes, plein air figure studies, street scenes, and still lifes. His style was most strongly influenced by the work of fellow Old Lyme painter Willard Metcalf, though his color palette was brighter and his brushwork looser.[1][2][3] After traveling to the Bahamas in 1916, he became interested in marine subjects and developed a special glass-bottomed bucket that allowed him to see potential underwater subjects more clearly.[2] By the mid-1920s, he had developed a reputation for vividly colored underwater studies of fish and other marine life.[2]
^ abcPennington, Estill Curtis, and Martha R. Severens. Scenic Impressions: Southern Interpretations from The Johnson Collection. University of South Carolina Press, 2015
^Beebe, William. Galapagos: World's End. New York: G. P. Putnam's Sons, 1924, p. viii.
External links
Wikimedia Commons has media related to Harry Hoffman.