The Arnold Corns version of "Hang On to Yourself"—recorded at the Radio Luxembourg studios in London on 25 February 1971[3]—was first released by B&C as the B-side to the single "Moonage Daydream" in the UK on 7 May 1971.[4] On 11 August 1972, it was released again, this time as an A-side, by B&C.[5]
"Hang On to Yourself" – 2:55
"The Man in the Middle" – 4:20
The Arnold Corns version was a bonus track on the 1990 Rykodisc/EMI remastering of Bowie's album The Man Who Sold the World. In 2002, this version appeared on the bonus disc of the Ziggy Stardust album's 30th Anniversary 2-CD reissue, and in 2015 it was included on Re:Call 1, part of the Five Years (1969–1973) boxed set.
The official band line-up, fronted by dress designer Freddi Buretti, was a total fabrication; Buretti was at the session but his contributions were simply lost alongside Bowie's.
The Ziggy Stardust version appeared on the B-side of the single "John, I'm Only Dancing" in September 1972 (1972-09).
It was also released as the B-side to the single "Looking for a Friend" in May 1985 (1985-05).
The Portuguese version of the single "Starman" from September 1972 (1972-09) also had "Hang On to Yourself" as the B-side.
In November 1972 (1972-11) the Ziggy Stardust version was also released as the B-side of the US release of the single "The Jean Genie".
It was released as a picture disc in the RCALife Time picture disc set.
It also appeared on the Japanese compilation The Best of David Bowie (1974).
Live versions
Bowie recorded the song for the BBC radio programme Sounds of the 70sBob Harris on 18 January 1972 (1972-01-18). This was broadcast on 7 February 1972 (1972-02-07). On 16 May 1972 (1972-05-16), Bowie again played the song on Sounds of the 70s: John Peel, and this was broadcast on 23 May 1972 (1972-05-23). Both of these versions were released on the Bowie at the Beeb album in 2000.[7]
The opening bars of Hang On To Yourself have been cited as the influence for Okuda Hiroko's "Rock" rhythm and bass preset backing track included in the Casio MT-40 and subsequently used as the basis of nearly 500 compositions, by artists as diverse as Wayne Smith, 2 Live Crew, Sublime, and Moby.[13][14]