For a long time, Hamar had no church. In 1849, Hamar re-gained its historic status as a town. In 1864, the Diocese of Christiania was divided and the northern part became the new Diocese of Hamar. The new diocese was in need of a cathedral, so plans were made to build a new cathedral in Hamar. The architect of the new whitewashed brick cathedral was Heinrich Ernst Schirmer and the local general contractor was Herman Frang. The exterior was built in simple, nearly austere German Romanesque style. Construction took place from 1864 to 1866. The cathedral was consecrated for services on 15 December 1866.[3][4][5]
In the 1920s, several changes were made to the interior. During the 1930s, electricity and water and sewage were installed. The exterior of the church received a facelift in the late autumn of 1949, when the plaster was restored in connection with the city's centennial celebrations. In 1950, bishop Kristian Schjelderup called for a significant internal renovation. Arnstein Arneberg was commissioned as architect: his design called for the interior to be almost completely gutted. All that remains from the earlier set-up are the supporting structure for the organ loft, the baptismal font and two silver candlestick holders. Arneberg simplified the visual look of the building, particularly in changing the ceiling trusses, which were previously the church's foremost visual decoration. The walls were made clean and white. In the choir, the trusses were completely hidden, while the roof of the nave was given a raised middle part similar to a basilica. The new interior was opened on 9 May 1954.[5][6]
Interior
The interior is characterized by an elevated nave, inspired by the basilica structure. The windows are decorated with fabric-like paintings, possibly based on medieval tapestries. The central feature is the altar, which is possibly the most unusual feature of the cathedral. Henrik Sørensen's depiction of the resurrected Jesus Christ was inspired by a Nordic archetype. On the side panels, Sørensen depicted the anxious mother and Hans Nielsen Hauge's awakening. The ceiling was painted by Arve Hagen. The pulpit and the bar in front of the sanctuary were carved by Anthon Røvik. The pulpit includes a depiction of Francis of Assisi.[7]