Her best-known painting is Woman in a Fur Hat, a self-portrait, which won a silver medal at the Panama–Pacific International Exposition in 1915.[1] The painting is part of the permanent collection of the Boston Museum of Fine Arts. In 2001 it was included in an MFA exhibition, A Studio of Her Own: Women Artists in Boston, 1870-1940, and appeared on the cover of the exhibition catalog.[5] In 2014 it was included in Painting Women, a touring exhibition of 34 paintings by women artists. In an interview, curator Erica Hirshler named it as one of her two favorites, noting that it deliberately echoes Jan Vermeer's Girl with a Pearl Earring in its pose, title, and "attention to light and texture".[6]
In 1930 Rogers was still exhibiting, grouped with "such well-known artists" as Adelaide Cole Chase, Louis Kronberg, and "Mrs. Philip L. Hale" in The American Magazine of Art.[8] Soon afterwards, unable to support herself as an artist during the Great Depression,[2] she gave up her Back Bay studio and apparently quit painting. Little is known about her later life.[1]