Diana Ross & the Supremes: Greatest Hits (also released as The Supremes: Greatest Hits) is a two-LP collection of singles and b-sides recorded by The Supremes, released by Motown in August 1967 (see 1967 in music). The collection was the first LP to credit the group under the new billing Diana Ross & the Supremes. Although founding member Florence Ballard is pictured on all album artwork and sings on all the tracks, by the time the set was released, she had been fired from the group and replaced by Cindy Birdsong.
It would rank as their second #1 album holding a distinction that it would take decades for another female group to achieve. The 2-LP set topped the Billboard Album Chart for 5 consecutive weeks, spending 20 weeks in the top 5 and 24 weeks total in the top 10. It remained on the Billboard Album Chart for 89 weeks. By December 28, 1968, the album had raised more than $3 million in sales.[3] Greatest Hits spent three weeks at number one on the UK Albums Chart.[4] In 2018, the Official Charts Company published that The Supremes' Greatest Hits (1967) has a total of 60 weeks in the UK top 40; making it the 4th "longest-reigning Top 40 girl group album ever".[5]
Greatest Hits includes fifteen Supremes singles, 10 of which went to number-one, among them were "Where Did Our Love Go", "Stop! In the Name of Love", "You Can't Hurry Love", and the most recent Supremes number-one, "The Happening" (a non-album track from the 1967 film of the same name). Also included are five popular Supremes B-sides: "Standing at the Crossroads of Love", "Ask Any Girl", "There's No Stopping Us Now", "Everything is Good About You", and "Whisper You Love Me Boy".
The packaging for the set includes liner notes by actress Carol Channing (which were originally written for an unreleased album "The Supremes and The Motown Sound: From Broadway To Hollywood") and paintings by Robert Taylor, including collectable 12 inch by 12 inch pin-up portraits of Diana Ross, Florence Ballard, and Mary Wilson. Greatest Hits was their second number-one album on the Billboard 200 and their fifth on the Billboard R&B Albums charts in the United States. It also reached the top of the pop album chart in the United Kingdom. The album sold over six million copies, world-wide as of 1988. However, it was never accorded Platinum Status as Motown did not submit to RIAA Certification until years later. Although not nominally credited because of their increasingly estranged relationship with Motown, all of the songs included were produced by the songwriting/production team of Holland–Dozier–Holland.
All songs produced by Brian Holland and Lamont Dozier. All songs written by Holland–Dozier–Holland unless otherwise noted. Superscripts denote original album sources, referenced below.
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