Granaz Moussavi (Persian : گراناز موسوی ) is an Iranian-Australian contemporary poet, film director and screenwriter. She is known for her avant-garde poetry in the 1990s. Her debut feature film My Tehran for Sale (2009) is an internationally-acclaimed Australian-Iranian co-production. Her second feature film When Pomegranates Howl was nominated for the 14th Asia Pacific Screen Award as the Best Youth Feature Film and was selected as Australian entry for the Best International Feature Film at the 94th Academy Awards.
Early life and education
Granaz was born in Tehran. Her father, Hashem Moussavi, was a well-known sound engineer in Iranian National TV (Jaam-e Jam) and in the film industry, and her mother, Parvin Chegini Farahani, was a video grader.[citation needed]
She went to Razi primary school and Hadaf high school in Tehran.[citation needed]
Her love for cinema and theatre changed her mind about tertiary schooling. She withdrew from a B.S. at Alzahra University and took various drama courses in Tehran, focusing on acting. These included Hamid Samandarian's drama workshops at the Theatre Organization of Tehran, and Mahin Oskoui's underground acting classes held in her apartment.
In 1997, Granaz emigrated to Australia with her family, where she changed her focus from acting to screen studies and filmmaking. In 2002, she made her honors film A Short Film About Colour, shot by the renowned Iranian cinematographer Firooz Malekzadeh. The short film earned Granaz the best director award from Flinders University in Adelaide, and an honorary membership to the Australian Screen Directors Authorship Collecting Society (ASDAS).[1]
Writing
At the age of 17, Granaz started writing professionally as a book reviewer and literary critic at "Donyaye Sokhan literary magazine (مجلهٔ ادبی دنیای سخن") in Tehran.
Her first poems were published in 1989, and since then, she has continued writing and publishing poetry in various magazines and collections in Iran and other countries.
Granaz published her first book, Khatkhati Rooye Shab خط خطی روی شب (Sketching On Night), underground in Tehran in 1996, to an extensive reception.
Her second book, Paberahneh Ta Sobh پابرهنه تا صبح (Barefoot Till Morning), was the winner of جایزه شعر کارنامه یاجایزه شعر امروز ایران Karnameh’s best poetry book of the year award in 2001 and went to at least a fourth edition. She published her third collection, Avazhaye Zan e Biejazeh آوازهای زن بی اجازه (The Songs of the Forbidden Woman), in 2003. A second edition was published.
Her poems have been anthologized worldwide and her solo bi-lingual collection was published in France by MEET publishers.[citation needed]
Granaz published Les Rescapes De La Patience (translated by Farideh Rava and with a preface by Jean Baptiste Para) after a sponsored literary residency in Saint Nazaire, France.[citation needed]
After receiving an Honours degree from Flinders University, Granaz got accepted into AFTRS, the Australian Film, Television, and Radio School in Sydney. She graduated with a postgraduate degree in film editing in 2006.[2] She was a doctoral candidate with a scholarship at the University of Western Sydney researching "The Aesthetics of Poetic Cinema". She has made several short films and documentaries and has participated in various roles in a few feature films.[3]
In the field of poetry, she has conducted many poetry readings worldwide, including her participation in the Paris Autumn Festival in 2000 (introduced and translated by Media Kashigar, managed by Alain Lance), SOAS/London University in 2001, Vienna and Mondorf/Luxembourg in 2003, Saint Nazaire, Nantes, Marseille, Arles/France in 2004–5, Sydney/Australia in 2005, “Caravan of poetry” through Paris, La Rochelle, Marseille, Poitier, and Nantes/France in 2006, the Fifth International Festival of Poetry “Merci Poesie”, Göteborg/Sweden in 2008, the Iranian Arts and Literature Festival, San Francisco/USA in 2009, and Luxemburg in 2009. She gave a lecture followed by a poetry reading at Stanford University in February 2009 and University of California at Irvine in January 2011.[4]
Much has been written about Granaz's poetry, including by some renowned Iranian writers and critics such as M. Azad, Jalil Doustkhah, Mohammad Rahim Okhovat, Shahrnoush Parsipour, and Ali Babachahi. Her poetry has been translated and published in French, English, Swedish, Spanish, Portuguese, and Kurdish. In 2006, being shortlisted in local, statewide, and across-the-country competitions, she won the Holding Redlich prize for her script "pitch" at the Screen Producers Association of Australia. Her prize was a sponsorship for her trip to Cannes Film Festival in 2007 to present her project idea in the film market. Her first feature film My Tehran for Sale (tehran-e-man, haraj تهران من، حراج ), a 2009 production, was shot in July/Aug 2008 in Tehran. The film, written and directed by Granaz, is the first feature collaboration of Iran and Australia. It premiered at the Adelaide Film Festival, and was an official selection of Toronto International Film Festival in September 2009,[5]Vancouver International Film Festival, Pusan International Film Festival (October 2009) and International Filmfestival Mannheim-Heidelberg (November 2009), The Museum of Modern Art (MoMA) New York (January 2010), International Film Festival Rotterdam (January 2010), International Film Festival Prague - Febiofest, 2010 Cinema Novo Film Festival Brugges, 2010 CPH:PIX Copenhagen International Film Festival, 2010 Guadalajara International Film Festival Mexico, Sydney Travelling Film Festival, Las Palmas de Gran Canaria International Film Festival, HRAFF 2010, Fukuoka International Film Festival 2010, Global Lens USA 2010 and Dialogue of Cultures Film Festival New York 2011.
My Tehran for Sale is the winner of Independent spirit Inside Film Awards 2009.[6] It won the jury award for best feature Film at the TriMedia Film Festival in 2010.[7]
Moussavi, Granaz (2015). "Simin Behbahani (1927–2014)". Middle Eastern literatures. Great Britain: Taylor & Francis. Retrieved November 2, 2022.
Further reading
Mousavi, Granaz (2010). "Airport /". Atlanta Review. ISSN1073-9696.
Shankhamala, Alex (2012). "ISLAMIC WOMEN IN FILMS: TURNING THE VOYEURS INTO SPECTATORS". Global Media Journal: Indian Edition. 3 (1): 1–5. ISSN2249-5835.
Begley, Alex (2011). "Smithsonian Rings in 15th Year Of Iranian Film Festival". Washington Report on Middle East Affairs. 30 (5): 57–58. ISSN8755-4917.
