He died in Genoa and was probably buried in the same Annunziata church.
Work
Only a few of Ansaldo's works are dated or documented, but most of these paintings listed in the early art historian Raffaello Soprani's 1768 publication about artists in Genoa Le vite de' pittori, scultori, ed architetti genovesi still survive.[3][4] They span a period of over 20 years.
Ansaldo was responsible for the fresco decoration of the cupola of the Basilica della Santissima Annunziata del Vastato of Genova, completed during 1635–1638, just before his death. His Annunciation fresco is considered the first true Baroque painting in the city. Through a complex trompe-l'œil view, it reproduces the interior of a Greek Cross planned church, with Mary ascending to heaven being awaited by the Holy Father[who?] in the centre of the dome.
Altarpieces from Ansaldo were commissioned for the Cathedral of Segovia. A Deposition is presently housed in the Accademia Linguistica of Genoa.
Camillo Manzitti, "Andrea Ansaldo", in "Paragone" n. 267, Maggio 1972.
Franco Boggero (a cura di), Un pittore genovese del Seicento, Andrea Ansaldo, 1584–1638, restauro e confronti, catalogo della mostra Genova, Commenda di San Giovanni di Pré - 25 gennaio/3 marzo 1985, Genova, 1985.