Giona Ostinelli (Italian pronunciation:[ˈdʒɔːnaostiˈnɛlli]; born 12 March 1986) is a Swiss–Italian composer who resides and works in Los Angeles.
Ostinelli is best known for his critically acclaimed work on Netflix's hit fantasy series The Witcher. The Witcher Original Soundtrack Album, featuring songs and score composed and produced by Ostinelli and his scoring partner Sonya Belousova, has achieved commercial success and critical recognition. The album debuted #1 on iTunes Top Soundtracks[1] with the enormously successful hit single "Toss A Coin To Your Witcher" #1 on iTunes Top Soundtrack Songs[2] and #1 on Billboard Digital Rock Songs Sales.[3] The album charted #4 on iTunes for Top Albums (behind only Eminem, Breaking Benjamin, and Chase Rice)[4] and in the top ten in every major territory in the world. "Toss A Coin To Your Witcher" broke into the Billboard charts: Billboard Top Current Albums,[5] Billboard Top Album Sales,[6] Billboard Top Soundtrack Albums,[7] and The Billboard 200.[8] The song has quickly become a viral sensation and a worldwide phenomenon.Thrillist"the biggest banger of 2020,"[9]Entertainment Weekly "a viral hit,"[10]Esquire "the best part of Netflix's series,"[11]The Verge"the hit song of the season,"[12] while Forbes stated that "the viral earworm became just as famous as the show."[13]
Ostinelli is also known for his work on Tobio: The Puppet Master(Тобио: Мастер Кукол) – a theater production directed by George Dolmazyan (Георгий Долмазян), recipient of the Russian Ministry of Culture Award.[22][23][24]Tobio: The Puppet Master premiered on 23 April 2013 at the Moscow State Theater U Nikitskikh Vorot (Московский Государственный Театр у Никитских Ворот) in Moscow, Russia.[25]
The Huffington Post described Ostinelli as "an innovator with "surprise" coded into his DNA".[26]
Early life and education
Ostinelli was born in Vacallo, Switzerland. His mother, Mariella Ostinelli Socchi, is a well-known Swiss painter.[27] Ostinelli started playing drums at the age of 5 and piano at the age of 9. He holds degrees in film scoring from Berklee College of Music and University of Southern California Scoring for Motion Pictures and Television program where he was a selected protege of renowned film composer Alan Silvestri.[28]
That was so special to me because I grew up listening to his [Alan's] music and never thought that one day I would have such a fantastic opportunity of meeting him. Alan and I spoke a lot, especially about the business side and inner relations of the industry, which was incredibly valuable for me at that early stage of my career.[29]
Career
Film and television music
Ostinelli's soundtrack for The Mist was released in 2017 by BMG Records. The record contains exclusively Ostinelli's score for the show.[30] Based on the Stephen King's novella of the same name, The Mist has been reimagined for television by Christian Torpe and stars Frances Conroy, Alyssa Sutherland and Morgan Spector.[31]
In 2016 Ostinelli wrote the score for Darling, a breakout psychological thriller directed by Mickey Keating starring Lauren Ashley Carter, Sean Young and Larry Fessenden. Ostinelli's original soundtrack was released by Lakeshore Records, with fan favorite Mondo Records releasing a special edition on vinyl.[32] The score received a wide critical acclaim being praised by Film Music Critics as "one of the most interesting and innovative soundscapes",[20]The New York Times described it as "a soundtrack alternating among ambient Lynchian strains and snatches of hard-core rock",[33] and IndieWire stated "what builds the unsettling atmosphere in Darling is the fantastic sound work that enhances the imagery on screen".[34]
In 2016 Ostinelli scored Keating's action-thriller Carnage Park that received its world premiere at Sundance and played at the SXSW. The A.V. Club raved: "Carnage Park's score is full of unnerving dissonance, fueling the sense of dread... But for all the off-kilter instrumentation and recording techniques, Ostinelli always keeps a notion of harmony and melody underneath the surface. It's perfect for Carnage Park because the score works on different levels, much like the film."[35]Collider stated that "the sepia color palette pairs perfectly with Keating's shot selection and Giona Ostinelli's original score. Together they manage to cover an especially impressive range between classic western heist flick and sheer nightmare."[36]Carnage Park marks Ostinelli's fourth collaboration with Keating having previously scored Keating's POD, compared to "the best of the X-Files" by Richard Whittaker of The Austin Chronicle.[37] "POD is a solid and nihilistic thriller that will get in your head and under your skin. One of the reasons for this is the music by composer Giona Ostinelli," – writes Sinful Celluloid.[38] Ostinelli's score for POD was shortlisted for the 2016 Academy Awards.[39] Another collaboration of Ostinelli/Keating is Lionsgate's Ritual,[40] "aided greatly by the atmospheric musical score composed by Giona Ostinelli… Ostinelli's soundscape helps the plot move quickly and really gives you chills up the spine during many scenes in the film," – depicts Robyn Andrew of Cryptic Rock.[41]
In 2015 Nickelodeon premiered The Massively Mixed-Up Middle School Mystery with original score by Giona Ostinelli.[53][54]The Massively Mixed-Up Middle School Mystery premiered #1 ranked program at its time in re K6-11 demographic. Same year Ostinelli scored CBBC TV pilot Zombies Next Door.
In 2012 Ostinelli was commissioned by the MOST Theater (Театр МОСТ)[citation needed] of Moscow, Russia to write an original score for Tobio: The Puppet Master (Тобио: Мастер Кукол), directed by George Dolmazyan (Георгий Долмазян), the recipient of the Russian Ministry of Culture Award.[22]Tobio: The Puppet Master premiered on 23 April 2013 at the Moscow State Theater U Nikitskikh Vorot (Московский Государственный Театр у Никитских Ворот).[55][56] The commercial announcements of the show heavily advertised the score being "written for the show by Hollywood composer Giona Ostinelli" ("музыка, написанная для спектакля голливудским композитором Джионой Остинелли").[57][58][59]
"Tobio reminds me of a beautiful film with sudden transitions and change of scenes. One – and there's a foggy city street and scurrying around shadows with huge umbrellas. Two – and in stuffy scarlet light there're Eastern beauties ringing their bracelets dancing for their Peacock king. Three – and there's funny corps de ballet flying around a diva soloist and quarreling opera prima donnas. George Dolmazyan with mild irony and flawless taste builds a spectacular, bright and atmospheric show," – describes Alisa Nikolskaya of Teatralnaya Afisha (Театральная Афиша).[60] ("Тобио" напоминает красивый фильм с мгновенной сменой кадров. Раз – и появляются туманная городская улица и снующие тени с огромными зонтами. Два – и вот уже в душном алом свете восточные красавицы звенят браслетами, танцуя для своего Короля-Павлина. Три – и смешной кордебалет порхает вокруг красавца-солиста и ссорящихся оперных примадонн. Георгий Долмазян с мягкой иронией и безупречным вкусом выстраивает эффектное, яркое, атмосферное зрелище.)[60]
