Luigi "Gino" Coppedè (26 September 1866 – 20 September 1927) was an Italian architect, sculptor and decorator. He was an exponent of Art Nouveau.
Biography
Coppedè was born in Florence, a son of Mariano Coppedè and brother of Adolfo Coppedè (also an architect, and occasional collaborator. Adolfo's most notable solo project was the Castello Cova (also known as the Cova Viviani Palace) of Milan).
Gino's early education was at a Pious School and later he attended the local Florentine School of Industrial Decorative Arts,[1] where he graduated with a diploma. He at first worked in his father's woodcarving studio, between 1885 and 1890. It was here that his sculpture work developed and he came into contact with various influential Tuscan architects.
In 1889 he married Beatrice, daughter of sculptor Pasquale Romanelli with whom he had three daughters.
His first main work was the Mackenzie Castle in the Castelletto quarter of Genoa in 1890. The work was commissioned by Evan Mackenzie, a Genovese banker. This was to be his first major success, and as a result he moved his family to Genoa. Thanks to MacKenzie, he got a number of commissions. and during this period he was an occasional member of the Municipal Council of Genoa, on the town Planning commission.
Between 1890 and 1893, Coppedé worked on Count Marquis Puccio's hunting castle “Villa Puccio” in Capriata d’Orba. The 1.900 sqm building is today known as Villa Val Lemme.
Starting in 1917, Coppedè worked in Rome on a series of buildings in the Art Nouveau style, forming what would later be known as the Quartiere Coppedè ("Coppedè Quarter"). In June of the same year he became a professor of General Architecture at the University of Pisa.
Also in 1919 he was engaged in the construction of buildings in Messina under the patronage of the banking company Fratelli Cerruti Genoa. That year he collaborated with his brothers on the decorative fitting out and furnishings of several ships owned by the Lloyd Sabaudo and Cosulich Triestina Navigation Company.
At this time Gaetano Rapisardi, the Sicilian architect who had married one of his daughters, worked with him on several projects in his Roman studio.
In 1920 he designed the Palazzo Galli in Naples and the Villa Barsanti at Pietrasanta, among others.
In April 1920 his wife died in Genoa and the following December his father, Mariano Coppedè. Gino, along with his brother Adolfo, then took over as directors of his fathers studio "The House Artistica".
Between 1920 and 1921 he worked together with Ing. Ugolotti and Ing. GL Mellucci on the preparations for a project to move the main railway station of Rome.
In 1921, in collaboration with his brother Adolfo, during his sojourn in Lierna he designed the Villa La Gaeta on Lake Como.[2]
Coppedè began building the palatial residence of the Marquess of Motilla in Seville in 1924.
He died in Rome 20 September 1927 after suffering from gangrene of the lungs after complications following surgery. He is buried in the family tomb at the cemetery of San Miniato in Florence.
The Palace Costarelli (1913) – via Tommaso Cannizzaro. The building was partially destroyed by bombing in World War II, rebuilt after the war. Of the original building only a loggia and little else remains
The Palace Tremi (also known as Palazzo del Gallo) 1914 – via Centonze, the intersection with Via Santa Cecilia
A building (also known as the Palazzo dello Zodiaco) – Piazza Duomo
Two Palaces for the Cerruti family of Genoa – Via Garibaldi
In Rome:
The characterful group of houses in Rome (known as Coppedè) between Via Tagliamento and Piazza Buenos Aires is his design.[3][4]
A building in Via Veneto 7, at the junction of Piazza Barberini, just behind the Fontana delle Api.
Villa La Gaeta on Lake Como is featured as a film location for James Bond in Casino Royale.
Lyudmila Filipova in her book Dante's Antichthon published in 2010, has the main characters attempt to break the code of the Hidden City (the Quartiere Coppedè ("Coppedè Quarter")), built by Gino in Rome.
In 2016 Jonathan Meades in his BBC Four Art Documentary programme "Ben Building: Mussolini, Monuments and Modernism" (2016) attempted to create an urban myth by claiming as a jest that the song Geno by Dexys Midnight Runners was inspired by the architect.