Ghostly Kisses is the musical project of French-Canadian singers Margaux Sauvé and Louis-Étienne Santais. They are based in Quebec.[1] Sauvé is signed to the British record label Akira Records.[2] The name 'Ghostly Kisses' was inspired by the William Faulkner poem Une ballade des dames perdues, which includes the verse "And brush my lips with little ghostly kisses."[3]Clash describes her music as having "a weightless quality, something that transcends the ephemeral to grapple with key facets of our lives."[4]
Career
Sauvé was in university studying psychology when she had a burst of creativity to start composing songs. She was a trained violinist but had never considered she could be a singer before. At the end of her studies, she showed her songs to Dragos Chiriac (Men I Trust) who praised Sauvé's voice and suggested they work together.[5] She released her first single, "Never Know", in May 2015.[6] Her debut EP, What You See, was released in March 2017.[7] Her sophomore EP, This City Holds My Heart, was released in 2018. The EP included a cover of The Cranberries' song "Zombie".[8]
In 2019 she was officially chosen to showcase at the SXSW music festival in Austin.[9] She also released another EP that year, Alone Together. The EP was a collection of acoustic songs.[10]
2020 saw the release of another EP, Never Let Me Go.[11]
The announcement of her debut full-length album, Heaven, Wait, came in 2021, when she released its title track in September 2021.[12] She composed the songs for her debut album with her musical and life partner Louis-Étienne Santais.[13] The album was released on January 28, 2022.[14][15]
Collaborations
Sauvé worked with the producers Tim Bran and Louis-Étienne Santais on her song "Heaven, Wait", released in 2021. They worked on the song remotely, with Tim in England and Sauvé and Louis-Étienne in Canada. They also used a string ensemble from the Fame Studio in Macedonia on the recording.[16]
She has also collaborated with producer Thomas Bartlett, also known as Doveman, on her song "Don't Know Why".[17]