Georges Aperghis (Greek: Γιώργος Απέργης; born 23 December 1945) is a Greek composer working primarily in the field of experimental music theater but has also composed a large amount of non-programmaticchamber music.[1]
Career
Aperghis worked with Pierre Schaeffer and Iannis Xenakis and founded the music and theater company ATEM(Atelier Théâtre et Musique).[2] He was a "composer in residence" in Strasbourg, France.
In 2011 he was the first recipient of the Mauricio Kagel Music Prize. Aperghis is honored with the 2015 BBVA Foundation Frontiers of Knowledge Award in Contemporary Music for his reinvention of music theater, using sound, gesture, space and technology and involving performers in the compositional process.
Selected works
Il gigante Golia (1975/1990) for voice and orchestra
Histoire de loups (1976), opera
Récitations (1977–78) for solo voice
Le Corps à Corps (1978) for solo percussion (voice with Zarb)
En un tournemain (1987) for viola solo
Cinq Couplets (1988) for voice and bass clarinet
Triangle carré (1989) for string quartet and three percussionists
Simulacre (1991–95), series of four pieces for voice and small chamber groupings
Sextuor: L'Origine des espèces (1992), opera for five female voices and 'cello
Crosswind (1997) for viola and saxophone quartet
Volte-face (1997) for viola solo
Machinations (2000) musical spectacle for four female voices and computer
Die Hamletmaschine-oratorio (2000) for choir and orchestra with soloists
Le petit chaperon rouge (2001) for chamber ensemble
Rasch (2001) for violin and viola
Avis de tempête (2005), opera with chamber ensemble and electronics
Wild Romance (2013), for soprano and chamber ensemble
Trio Funambules (2014), for saxophone, piano and percussion (written for Trio Accanto)
Personal life
He was born in 1945 to Greek artists Irini and Achilleas Aperghis. He lives in France and was married to actress Édith Scob until 2019 when she died.
