Tibble was a significant figure in the short-lived Objective Abstraction movement.[3] In 1934, Tibble exhibited abstract works at the Exhibition of Objective Abstractions at the Zwemmer Gallery, London (works described as "vortices in pigment, suggesting rather than representing something in nature")[2] He later destroyed or overpainted most of the works from this abstract period.[4]
Tibble had his first solo exhibition at Tooth's Gallery in 1946, showing 25 paintings, all interiors with figures, a format that became his signature style and developed his wider reputation.[4] These were critically acclaimed for their "remarkable assurance, the certainty of aim and economy of means" and their resemblance to the work of Degas.[2]
He subsequently exhibited at leading London galleries, including the Leicester and Lefevre galleries.
Tibble died in Amersham, Buckinghamshire on 15 December 1952, aged only 43. He was survived by his wife and two daughters.[6]
Critical reception
A review of a retrospective exhibition said "His work—dingy but packed with period atmosphere—looks back towards the intimate interiors of Vuillard, and forward to the domestic squalor of the Kitchen Sink School".[7]