You can help expand this article with text translated from the corresponding article in Italian. (November 2016) Click [show] for important translation instructions. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Italian Wikipedia article at [[:it:Gennaro Antonio Federico]]; see its history for attribution. You may also add the template {{Translated|it|Gennaro Antonio Federico}} to the talk page. For more guidance, see Wikipedia:Translation.

Gennaro Antonio Federico (died Naples, 1744) was a Neapolitan poet and opera librettist. He is best remembered for his collaborations with G. B. Pergolesi including La serva padrona.^[1]

• La Zita (opera buffa; set by Costantino Roberto 1731)
• Lo frate 'nnamorato (commedia musicale; set by Giovanni Battista Pergolesi 1732)
• L'Ippolita (opera buffa; set by Nicola Conti 1733)
• L'Ottavio (commedia per musica; set by Gaetano Latilla 1733 , set by Pietro Alessandro Guglielmi 1760)
• La serva padrona (intermezzo; set by Giovanni Battista Pergolesi 1733, set by Girolamo Abos 1744, set by Pietro Alessandro Guglielmi 1780, Giovanni Paisiello 1781 )
• Gl'Ingannati (commedia per musica; set by Gaetano Latilla, 1734)
• La marina de Chiaja (chelleta, revision of an earlier libretto; set by Pietro Pulli, 1734)
• Il Flaminio (commedia per musica; set by Giovanni Battista Pergolesi 1735 )
• Il Filippo (opera buffa; set by Costantino Roberto 1735 )
• I due baroni (opera buffa; set by Giuseppe Sellitto 1736 )
• La Rosaura (opera buffa; set by Domenico Sarro, 1736)
• La Teodora (opera sacra; set by Papebrochio Fungoni, 1737)
• Gismondo (commedia per musica; set by Gaetano Latilla, 1737)
• Da un disordine nasce un ordine (opera buffa; set by Vincenzo Legrenzio Ciampi, 1737)
• Il conte (dramma giocoso per musica; set by Leonardo Leo 1738 )
• Inganno per inganno (opera buffa; set by Nicola Bonifacio Logroscino, 1738)
• La locandiera (scherzo comico per musica; set by Pietro Auletta, 1738)
• Ortensio (commedia per musica; set by Giovan Gualberto Brunetti, 1739)
• Amor vuol sofferenza (commedia per musica; set by Leonardo Leo 1739, and by Nicola Bonifacio Logroscino come La finta frascatana, 1751)
• La Beatrice (opera buffa; set by Vincenzo Legrenzio Ciampi, 1740)
• L'Alidoro (commedia per musica; set by Leonardo Leo, 1740; set by Matteo Capranica come L'Aurelio, 1748)
• L'Alessandro (commedia per musica; set by Leonardo Leo, 1741)
• La Lionara (opera buffa; set by Vincenzo Legrenzio Ciampi 1742, and Nicola Bonifacio Logroscino 1743 )
• Il fantastico od Il nuovo Chisciotte (commedia per musica after Miguel de Cervantes; set by Leonardo Leo, 1743)
• Il copista burlato (commedia; set by Antonio Sacchini, 1759)

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