Fritz Arno Wagner (5 December 1889 – 18 August 1958) is considered one of the most acclaimed German cinematographers from the 1920s to the 1950s.[1] He played a key role in the Expressionist film movement[2] during the Weimar period and is perhaps best known for excelling "in the portrayal of horror," according to noted film critic Lotte H. Eisner.[3]
Interested in cinematography, Wagner became a newsreel cameraman in 1913 and was stationed in New York for Pathé Weekly, where he reported on the Mexican Revolution. At the outbreak of World War I in 1914, he returned to Germany to enlist in his country's elite Hussar cavalry whilst still filming war reports.[6][7] However, after being wounded, he decided to take the job of stills photographer and then 2nd cameraman at Projektions-AG Union PAGU. In 1919, he went to work as a primary cameraman for Decla-Bioscop.
After the Nazis took over in 1933, causing many of the country's leading film directors to flee Germany for the U.S. (including his collaborator Lang) Wagner's career began to decline. To make ends meet he abandoned his unique style and turned to making glossy costume epics and musicals for The Ministry of Propaganda at Universum Film AG [Ufa] where he had once worked under Erich Pommer.[9] After WWII, he worked for a couple of years as a director of photography of documentaries and newsreels before returning to feature films for the DEFA production company at Studio Babelsberg.[10]