Franz Mazura (22 April 1924 – 23 January 2020)[2] was an Austrianbass-baritoneopera singer and actor. He performed at the Bayreuth Festival from 1971 for 25 years and at the Metropolitan Opera for 15 years. He was made a Kammersänger in 1980 and an Honorary Member of the Nationaltheater Mannheim in 1990. He most often played villains and strange characters,[1] with signature roles including Klingsor in Wagner's Parsifal. Mazura took part in world premieres, such as the double role of Dr. Schön and Jack the Ripper in the world premiere of the completed version of Alban Berg's Lulu at the Paris Opera in 1979, and as Abraham in Giorgio Battistelli's Lot in 2017. Two of his recordings received Grammy Awards. His voice was described as with dark timbre, powerful and like granite ("dunkel gefärbt, kräftig und wie Granit"), with perfect diction.[2] His acting ability was described as "well-supplied with vivid imaginative touches, whether deployed in comic roles or characters of inexorable malevolence. Mazura could achieve more impact with a lifted eyebrow or a belligerently thrust chin than many artists could with a ten-minute monologue."[3] He had a long career, appearing at the Staatsoper Berlin the night before his 95th birthday.
In 1976, Mazura performed as Alberich in Wagner's Das Rheingold under Georg Solti, staged by Peter Stein. On 24 February 1979, he appeared in the double role of Dr. Schön and Jack the Ripper in the world premiere of the completed version of Alban Berg's Lulu at the Paris Opera, conducted by Pierre Boulez and directed by Patrice Chéreau.[4][11] In the same opera and theatre, he appeared as Schigolch, first in 2003.[9] He also performed roles such as Scarpia in Puccini's Tosca, the Doctor in Berg's Wozzeck, and in Viktor Ullmann's Der Kaiser von Atlantis. Although he was typecast as a villain, he appeared at Bayreuth a few times in other roles, such as Gurnemanz in Parsifal in 1973, with Eugen Jochum conducting, and Wanderer in Siegfried in 1988, conducted by Daniel Barenboim.[4]
Mazura first appeared at the Metropolitan Opera in New York City in 1980, at age 56, as Dr. Schön/Jack the Ripper in Lulu. He returned regularly for 15 years.[2] A reviewer wrote:
Mazura is a man of commanding stature, both physically and vocally. In the role of Jack the Ripper he brings the opera to its bloody denouement, with an adamant dramatic power that provides the opera's most memorable moment.[12]
Among Mazura's roles at the Met was Alberich in Der Ring des Nibelungen in 1981, conducted by Erich Leinsdorf. In Siegfried, reviewer Donal Henahan found him and Heinz Zednik as Mime the most interesting in their character roles.[13] The same year, he appeared as Creon in Stavinsky's Oedipus Rex.[14] He performed as Gurnemanz and Pizarro in 1983, as Count Waldner in Arabella by Richard Strauss in 1984, alongside Kiri Te Kanawa in the title role and conducted by Marek Janowski, and as the Doctor in Wozzeck in 1995.[14] After repeating Lulu and Parsifal, he was Frank in a new production of Die Fledermaus by Johann Strauss in 1986, and Mr. Flint in Britten's Billy Budd in 1989. His last performances at the Met were again in Lulu, now in the role of Schigolch for three performances in April 2002.[14]
Mazura's career as an opera singer was extremely long. He performed in 2017 in the world premiere of Giorgio Battistelli's opera Lot, in the role of Abraham, at age 93.[16] In April 2019, he performed as Meister Hans Schwarz in Wagner's Die Meistersinger von Nürnberg at the Staatsoper Berlin.[17] The final performance of this run was on 21 April, the night before Mazura's 95th birthday.[6]
Buderer, Hans-Jürgen and Homering, Liselotte, Die Oper, Spiegelbild der Welt: Franz Mazura, der Sänger-Schauspieler, Wernersche Verlagsgesellschaft, 2004 (Festschrift for the 80th birthday of Franz Mazura, in German). ISBN3-88462-197-1
Mazura, Franz, Franz Mazura – Mit Tusche und Notenband, Wernersche Verlagsgesellschaft, 2006 (Memoirs written and illustrated by Mazura, in German). ISBN3-927455-21-0
