Morel taught music analysis and composition at the Institut Nazareth from 1959 to 1961. In 1972 he was appointed director of the Académie de musique du Québec, a position he held through 1978. From 1976 to 1979 he taught at the Bourgchemin Cegep in Drummondville and from 1979 to 1997 he taught at Université Laval. He also served on the faculty of the Université de Montréal in 1979–1980. His work for guitar Me duele España, played by and written for guitarist Michael Laucke, was recorded on the Radio Canada International label (RCI 457) and won the Grand Prix du Disque of the Canadian Music Council in 1979 for the best Canadian recording.[3]
L'étoile noire - tombeau de Borduas, for orchestra (1961)
Le mythe de la roche percée (commissioned by Pittsburg wind orchestra, 1961)
Quintette pour cuivre (commissioned by Quintette de Montréal, 1962)
Quatuor à cordes no.2 (commissioned by Canadian Broadcasting corporation, 1963)
Alleluia, for organ (commissioned by Ars organi, 1964)
Requiem for wind instruments (1966)
Nuvattuq (solo flute, 1967), recorded around 1975 on album "Solo" (Various Artists) on Radio Canada International (RCI 409), flute by Jean C. Morin.
Neumes d'espaces et reliefs (commissioned by Edmonton Orchestra, 1967)
Prismes anamorphoses (commissioned by Canadian Broadcasting corporation, Vancouver, 1967)
Étude en forme de toccate (for two percussion instruments, 1968)
Départs (commissioned for guitar and orchestra, McGill Chamber Orchestra, 1969), recorded on RCI 367, guitare Michael Laucke
Radiance (commissioned by Canadian Broadcasting Corporation Vancouver, 1970)
Rythmologue, pour 8 percussions (1970)
Iikkii, froidure (commissioned by the Société de musique contemporaine du Québec, 1971), guitar and chamber orchestra\, recorded on RCI 367, Michael Laucke, guitar
^ abPlouffe, Hélène. "François Morel". The Canadian Encyclopedia. Retrieved 16 February 2016.
^ abGingras, Claude (Summer 1980). "In Review: Grand Prix du Disque". MusiCanada magazine. Michael Laucke's admirable repertoire of contemporary works written especially for guitar is certainly praiseworthy, as are the performers' technique and sensitivity. The recording has already been awarded a Grand Prix du Disque-Canada.