The song's absurdist lyrics describe a taqueria on the roof of the album's titular hotel that has been ironically receiving "rave reviews, four stars out of five".[6][7] In an interview with Zane Lowe for Beats 1, Alex Turner explained the track's ironic jokes are about critics who "never give a perfect 100".[8] Thematically the song alludes to a variety of topics including war, natural disasters, space colonisation, and gentrification. The song's narrator has been described as "the self-aggrandizing narcissist anticipating a big reaction, now tasked with filling up the silence", with the "mocking and self-aware" Turner's vocals "sung in a grizzly, demonic croon that's vaguely unstable, like he's either about to break into tears or hysterical laughter".[6]
Music video
The music video was directed by Ben Chappell and Aaron Brown and was released on 13 May 2018 through the band's official YouTube account.[1] The video features Alex Turner taking up the directorial chair and channeling several film influences, producing "video lifestyle packages" seemingly for the Tranquility Base Hotel & Casino. Among the packages being filmed, an alternative version of Turner without a beard is seen traversing tunnels, as well as the band playing at a country estate and assistants dressed in red overalls dressing the sets and taming a horse. Many of the scenes and shots were highly inspired by Stanley Kubrick movies. The video was filmed at Castle Howard in the band's native county of Yorkshire[9] with the underground scenes being filmed at Munich Marienplatz station in Munich, Germany.
Critical reception
Sam Sodomsky of Pitchfork praised the track, referring to it as "in a peculiar spot as both Tranquility Base Hotel & Casino's most immediate song and one of its oddest". He described the track as one of the album's highlights, in which its "risks build to something extraordinary". He noted that the track was "an escape, an invitation to forget everything you know about this wildly popular band and take them on their own terms", comparing it positively to less successful "rock reinventions" by Arcade Fire and Jack White, with the track instead displaying "a striking, recharged imagination". He concludes that the track "makes the future – as bleak as it may be – seem a lot more fun".[6]