Fiona Maddocks was born in London, studied English literature at Cambridge University and then attended the Royal College of Music.[1] In 1997, she succeeded Andrew Porter as the chief music critic of The Observer.[2] She stayed there until 2002, leaving due to the time commitments interfering with raising her children; she instead took a position as chief arts feature writer for the Evening Standard.[2] Maddocks returned to The Observer in 2010, resuming her position as chief music critic, and has remained there since.[2] Reflecting on what she enjoys about music criticism, Maddocks said "the music, the variety, the challenge, the privilege, the responsibility to those performing, the mental demands - it's a constant, amazing education and in its own way a sort of performance requiring adrenalin and concentration. You have to give your best, just as those on stage do."[2] Maddocks continues work as a freelance writer, has also written for The Times and The Guardian.[1][3] She has been described as "one of the UK's leading writers and commentators on classical music".[1]
Throughout her career, Maddocks had a central role in the founding of three media organizations, a TV station, Newspaper and Magazine.[2] The first of these was Channel 4, which she helped found in 1982.[4] She was also the first music editor for The Independent,[4] and founding editor for BBC Music Magazine, the world's largest classical music magazine.[1]
Maddocks has written four books,[2] the first of which was a survey on the 12th-century composer Hildegard of Bingen in 2001.[5][6] Published by Headline in the UK and Doubleday in the US, it was described by the literary agent Felicity Bryan Associates as a "great critical success", and was later reissued by Faber and Faber;[4] by 2019 it was on its 5th reprint.[1] This was followed by a compilation of interviews with the composer Harrison Birtwistle, published in 2014 to coincide with his 80th birthday.[4][7] In 2016, Maddocks published anthology of 100 pieces she recommends 'to carry you through life'.[4][8] Her fourth book, Twentieth-Century Classical Music: A Ladybird Expert Book, was published in 2018.[1][9]
She resides in both London and Oxford and has two daughters.[1][2] Her second marriage was to the artist Tom Phillips, until his death in 2022.[10] Also a violinist, Maddocks enjoys playing in chamber ensembles with friends.[1] She was a jury member for the 2019 International Opera Award and is a trustee for the Pimlico Opera.[1]