Fernande Glyn (3 April 1927 – 3 August 2011) was an Australian television and stage actor. She was well-known in the 1960s for her television and theatre work, most notably for her starring role as Eve Halliday on Hunter.

Glyn's parents were Ferdinand Glynn (1865-1930), a labour organiser and salesman, and Minnie Vos (1896-1937) a saleswoman. An orphan from the age of ten, Glyn attended the Santa Maria Convent School in Lawson, New South Wales.^[3]

Glyn's unusual first name was a feminine version of her father, Ferdinand's, name.^[4] She was sometimes credited with the last name 'Glynn' rather than 'Glyn', as per the original version of her father's last name.

She was the niece of the celebrated actor Neva Carr Glyn^[5] (and therefore also related to another well-regarded actor, Neva Carr Glyn's son Nick Tate).^[6]

Glyn worked in Britain between 1952 and 1958, appearing on both BBC and ITV television programs.^[7] The first record of Glyn's stage work is in Wales: she appeared in a 1952 production of A Christmas Carol in Bridgend.^[8] She also appeared in the Colwyn Bay Repertory Theatre's production of Rag Time by David Read in 1956.^[9] Soon afterwards she acted (as ‘mother’) alongside John Unicomb (‘father') in Dennis Driscoll's Off the Deep End, also for the Colwyn Bay Repertory Theatre.^[10] Glyn's last known work in Britain was in two television films from 1957: The Bloodless Arena^{[citation needed]}

In August 1958 Glyn and Unicomb, who had married in the first few weeks of their tenure in the UK,^[11] returned to Australia and in mid-1959 both were appearing in Melbourne as part of J. C. Williamson's Shakespeare Company in a production of The Merchant of Venice.^[12] Glyn was noted by the Melbourne Age's theatre critic as a 'seductive Jessica'.^[13] Glyn next played Regan in King Lear, delivering a performance the Sydney Morning Herald's critic described as 'firm and confident but unsuccessful in suggesting depths of character behind all the superficial hatefulness'.^[14]

The following year, Glyn and Unicomb were appearing in a regular radio comedy, Mr. and Mrs., part of a feature known as Omnibus on Sydney radio station 2GB.^[15] This series, described as 'a sophisticated domestic comedy', was written by James Carhartt.^[16]

In June 1961 Glyn appeared in an Australian television drama for the first time, in the role of Bessie in The Sergeant from Burralee. She appeared in an episode of Whiplash soon afterwards. In November of the same year she appeared alongside Barry Creyton in an adaptation of the novel East Lynne at the Neutral Bay Music Hall.^[17] In late 1962 both Glyn and Unicomb were reported to be appearing alongside David Hutcheson and Martine Messager in another J. C. Williamson production, a play adapted from Marcel Achard's L'Idiote, called A Shot in the Dark. ^[18] In late 1964 Glyn and Unicomb were again cast together in a satire produced by John Faassen, How the West Was Lost, which was written by, and starred, Glyn's former co-star Barry Creyton.^[19]

1964 also saw Glyn act alongside Tony Ward, who would later be her Hunter co-star, as well as her aunt Neva Carr Glyn, in Rape of the Belt, a television play for the ABC.

In early 1965, Glyn became a 'weather girl' for ATN7, working two nights a week in the role.^[20] During this time she and Unicomb were guest stars together on The Mavis Bramston Show.^[21] In June she also appeared in a play written and directed by Bob Herbert, Campari Rocks.^[22] Her next play, The Deadly Game, was an adaptation by James Yaffe of Friedrich Dürrenmatt's novel and subsequent play A Dangerous Game. It ran at the Independent Theatre, North Sydney in January and February 1966.^[23] A television play followed, Marcel Pagnol's Topaze, in which Glyn played Suzy.^[24] Critic Harry Robinson praised Glyn, writing that 'her quirky lips and eyes' reflected 'the dry humour of the play most accurately'.^[25] In 1966 she also appeared in an Adelaide production of Noël Coward's Private Lives.^[26]

Glyn's relationship with Crawford Productions began with a role in one episode of Consider Your Verdict in 1963. She followed this with one episode of Homicide. She was then contracted to play the character of Eve Halliday in Hunter.

The pilot for Hunter was made in secret in 1966 as Tony Ward was under contract to another channel; it was announced in the Melbourne Age's 'TV-Radio Guide' in early 1967 that Ward would star with Glyn as 'a pretty secretary'.^[27] This characterisation was revised the following week when she was instead described in the same paper as 'an experienced agent' who 'takes no-one at face value'.^[28] The character of Eve Halliday was far from a passive assistant but instead involved extensively in the espionage storylines. Glyn told the Australian Women's Weekly's Leonie Newberry that Halliday was 'sophisticated, warm yet strong, dedicated to what she does and capable of doing all sorts of things.'^[29] There was, however, very limited backstory for the character - aside from that she was a widow and that her husband, Gary, had been in the CIA and killed at the age of 34. Ward's character says in episode 7 of the series ('The Prometheus File Part 3') 'She doesn't talk much about it.' Glyn did not appear in the second series of Hunter.^[30]

By the end of the 1960s, Glyn and Unicomb had divorced.^[31]

By 1980, Glyn was described in an article on the NSW National Youth Film Festival as 'the current Warringah Council arts officer and former actress'.^[32]

Her son, David Unicomb, told journalist Stephen Nicholls that 'With a walking frame in tow in the later years, she would frequently invite strangers who looked in need back to the apartment for a cup of tea or a meal, never concerned for her safety or her possessions.' Late in life, she suffered from dementia and 'a debilitating muscular disease.'^[33] When she died in 2012 she was survived by a second husband, entrepreneur Willy Stader. Stader lived at their Cremorne apartment another ten years after Glyn's death, dying at the age of 102.^[34]