Caught up the fervor of the Chinese Communist Revolution, she abandoned her plans to study at university and took a job at the Gansu Daily newspaper. Her husband, fellow journalist Wang Jingchao, wrote several critical essays at the height of the Hundred Flowers Campaign. With the launch of the subsequent Anti-Rightist Campaign, Wang was attacked for these statements, and she was condemned by association. The two were sent to separate labor camps, where Wang eventually died.[1] He Fengming was released, briefly imprisoned again during the Cultural Revolution,[2] and finally rehabilitated. In the early 1990s she published a memoir, My Life in 1957.[3]
Production
Wang Bing first met He in 1995[4] and interviewed her in the course of research for his second feature (after 2003's Tie Xi Qu: West of the Tracks). After receiving a commission from the Kunsten Festival des Arts, Wang decided to record He's story, resulting in a 50- and then a 130-minute film. After the Festival, Wang went back and conducted an additional interview, bringing the film to its final three-hour running time. The director employed an unusually stripped-down style, relying mainly a single camera set-up[1] with only the occasional cut or dissolve.[2]