After the surrender of Japan, he was the interpreter for the advance party of 150 US personnel which flew into the Atsugi airfield on August 28, 1945. As MacArthur's interpreter he lived at the American Embassy with the MacArthur family, and served as interpreter at the initial meeting between MacArthur and Emperor Hirohito. While an official censor for Japanese theater he became its champion.
After the war he taught at the New School for Social Research, and at the University of Kansas as Distinguished Professor of Asian Studies. He also served as music editor or reviewer for various periodicals.
Bowers became a respected authority on Asian art and culture, writing scholarly monographs on such subjects as Indian dance and Japanese theatre, as well as a definitive two-volume biography of the Russian composer Alexander Scriabin. His book, Japanese Theatre, was published in 1952 and is highly recommended by James Michener, in his book on Japanese ukiyo-e prints, The Floating World, as "one of the foremost works of scholarship dealing with Japanese culture to come out of the occupation."[2]
He was married from 1951–1966 to Indian writer Santha Rama Rau. They had one son who, according to his parents, traveled widely and lived an affluent vagabond existence.[3]
Bowers is known as The Man Who Saved Kabuki in Japan. While on his way to Indonesia in 1940, he visited Tokyo's Kabuki-za where he watched the famous Kanadehon Chūshingurakabuki play, and was very moved by kabuki as an art form. Four years later he returned to Japan as General MacArthur's secretary during the American Occupation of Japan. At this time the Supreme Commander of the Allied Powers thought kabuki should be banned for its portrayal of feudal values. Bowers was strongly against this, stating that "Kabuki is not only Japanese culture but world culture and must be preserved for the future." He promoted kabuki plays and instructed that a "Dream Team" cast of big kabuki stars should be assembled to perform "Kanadehon Chūshingura" in 1947. This performance and many others performed at the Tokyo Army College were a success, and the cast later performed the play in 1950 in East Coast venues across the USS.
Bowers, Faubion (1952). Japanese theatre. New York: Hermitage House.
Bowers, Faubion (1953). The Dance In India. New York: Columbia University Press.
Bowers, Faubion (1954a). Japanese Theatre: Origin - Noh Drama - Puppets - Kabuki Spectacle. New York: Hermitage House.
Bowers, Faubion; et al., eds. (1954b). "Perspective of Japan: An Atlantic Monthly Supplement". New York: International Publishers. {{cite journal}}: Cite journal requires |journal= (help)
Bowers, Faubion (1956). Theatre in the East (reprint ed.). Ayer Co. Publishing. ISBN0-8369-9278-4.
Bowers, Faubion (1959). Broadway USSR: Ballet, Theatre, and Entertainment in Russia Today. Thomas Nelson and Sons.
Champdor, Albert; Bowers, Faubion (trans.) (1966). The Book Of The Dead: Based on the Ani, Hunefer, and Anhai Papyri in the British Museum. New York: Garrett Publications.
Bowers, Faubion; Fieger, Erwin (1972). Japan:Islands of the Rising Sun. New York: H. N. Abrams. ISBN0-8109-0208-7.
Bowers, Faubion (1974). The New Scriabin: Enigma and Answers. Newton Abbot: David & Charles. ISBN978-0-7153-6578-6.
Sarabhai, Mrinalini; Mitchell, John D.; Bowers, Faubion (1992). Staging a Sanskrit Classic: Bhasa's Vision of Vasavadatta. New York: Fordham University Press. ISBN978-1-882763-02-3.
Iyengar, K.R. Srinivasa; Meserve, Walter J.; Meserve, Ruth L.; Bowers, Faubion (1995). Appreciations of Asif Currimbhoy. Calcutta: Writers' Workshop. ISBN81-7189-299-X.
Bowers, Faubion (1996). Scriabin, a Biography (2nd, revised ed.). New York: Courier Dover Publications. ISBN978-0-486-28897-0. (1st pub. 1970)