When she graduated from the RAM in 1925 seven of her songs were published, and in 1928 she published five more. Poston went abroad between 1930 and 1939, where she studied architecture and collected folksongs. She was also a respected performer, premiering Walter Leigh’s Concertino for harpsichord and strings in 1934.[4]
Wartime and the BBC
When she returned to England at the beginning of World War II Poston joined the BBC and became director of music in the European Service. During the war she is said to have carried out secretive work as an agent; at the BBC she apparently used gramophone records to send coded messages to allies in Europe.[5][6] During the war she also played the piano at the National Gallery lunchtime concerts organised by Myra Hess.[4]
Poston left the BBC briefly in 1945, but returned in 1946 at the invitation of Douglas Cleverdon to advise on the creation of the BBC Third Programme.[7] She subsequently became one of the youngest composers to be represented on the network at its opening, with her incidental music for John Milton's Comus.[8][9]
Composition
Poston composed scores for radio and television productions – over 40 for radio alone – and collaborated with C. S. Lewis, Dylan Thomas, Terence Tiller and other writers. She wrote the score for the 1970 BBC television production of Howards End (broadcast on 26 December 1970 as Play of the Month, now lost[10]) while living in Rooks Nest House, which was the setting for the novel.
Her carols, especially Jesus Christ the Apple Tree (1967) and The Boar's Head Carol (1960), remain widely performed. The Nativity (1950), a sequence of newly composed carols and adaptations from folk songs or Medieval manuscripts retelling the Christmas Story, was premiered as a radio feature produced by Terence Tiller, but had an afterlife as an extended choral work for concert performance. It's one of two extended choral works of hers to have been recorded.[11] The other is An English Day Book, a 20-minute sequence of sacred and profane poetry settings relating to different times of the day and year.[12] It includes a setting of Sweet Suffolk Owl by Thomas Vautor that has achieved separate popularity. A new recording was issued in 2024.[13] There are also anthems, mostly dating from the 1950s, such as the four movement Song of Wisdom (1956), written for Yardley Grammar School in Birmingham.[11]
The Concertino da camera on a Theme of Martin Peerson (1957) is a significant example of her music for chamber ensembles, and has been recorded.[4][14] A Swiss radio broadcast of her 1960 Trio for flute, viola and harp can be heard on YouTube,[15] and a new recording of the Trio by the Korros Ensemble was released in 2021.[16] A six-minute work for string orchestra, Blackberry Fold: Requiem for a Dog, received its first broadcast in February 1976.[17]
In addition to composing, Poston was an academic, writer and editor. In 1947 she created a five-part lecture series on Peter Warlock for the BBC.[20] Much later, she defended his reputation in a very personal broadcast talk.[21]
She wrote articles and programme notes for the Arts Council of Great Britain and was the editor of a number of vocal music anthologies, including The Children's Song Book (1961), which was described as "a little autobiography, reflecting her own delight in songs since the earliest she remembers from the age of two".[9] The book contains five of her own original settings, including a short song version of Jesus Christ the Apple Tree that was the germ of her famous choral piece, fully realised six years later.[22] There were also three Penguin collections – The Penguin Book of Christmas Carols (two volumes, 1965 and 1971), and (with Alan Lomax) The Penguin Book of American Folksongs (1964) – as well as (with David Holbrook) The Cambridge Hymnal (1970).[23]
She continued to live at Rooks Nest House until her death at the age of 81 in 1987.[1] A catalogue of her works by her friend Dr John Alabaster published in 2018 lists some two dozen of her compositions considered lost.[9] One of them, the Festal Te Deum, first performed in 1959, was rediscovered in 2018.[24]
^Poston, Elizabeth. 'Dispelling the Jackals', BBC broadcast 1964, reprinted in David Cox and John Bishop: Peter Warlock, a Centenary Celebration (1964)
