Elisabeth Bergner (22 August 1897 – 12 May 1986) was an Austrian-British actress. Primarily a stage actress, her career flourished in Berlin and Paris before she moved to London to work in films. Her signature role was Gemma Jones in Escape Me Never, a play written for her by Margaret Kennedy.[3] She played Gemma, first in London and then in the Broadway debut, and in a film version for which she was nominated for the Academy Award for Best Actress. In 1943, Bergner returned to Broadway in the play The Two Mrs. Carrolls, for which she won the Distinguished Performance Medal from the Drama League.[4]
Early life
She was born Ella vel Ettel Bergner in Drohobych, Austro-Hungarian Empire (present-day Ukraine) to Sara (née Wagner) and Emil (né Schmelke Juda) Bergner,[5] a merchant. She grew up in a secular Jewish home. The Hebrew she heard in her childhood was associated with Yom Kippur and Pesach, and on her visits to Israel, she apologized for not knowing the language.[6][7][8]
She first acted on stage at age 14, and appeared in Innsbruck a year later. In Vienna at age 16, she toured Austrian and German provinces with a Shakespearean company. She worked as an artist's model, posing for sculptor Wilhelm Lehmbruck, who fell in love with her. She eventually moved to Munich and later Berlin.[9]
Career
In 1923, she made her film debut in Der Evangelimann. With the rise of Nazism, Bergner moved to London with director Paul Czinner, and they married in 1933. Her stage work in London included The Boy David (1936) by J.M. Barrie, his last play, which he wrote especially for her, and Escape Me Never by Margaret Kennedy. Catherine the Great was banned in Germany because of the government's racial policies, according to Time on 26 March 1934.[9] She was naturalised as a British subject in 1938.
She was nominated for an Academy Award for Best Actress for the film version of Escape Me Never (1935). She repeated her stage role of Rosalind, opposite Laurence Olivier's Orlando, in the 1936 film As You Like It, the first sound film version of Shakespeare's play, and the first sound film of any Shakespeare play filmed in England. Bergner had previously played the role on the German stage, and several critics found that her accent got in the way of their enjoyment of the film, which was not a success. She returned intermittently to the stage, for instance in the title role of John Webster's The Duchess of Malfi in 1946.[10]
Bergner was married once, to Hungarian-born British writer, film director, and producer Paul Czinner, from 1933 to 1972.[2]
She was the source for the story which became the 1950 Academy Award for Best Picture-winning film All About Eve. According to The New York Times obituary for writer Mary Orr, Bergner told Orr about an experience that provided her with the inspiration for the short story that gave birth to the character of Eve Harrington. "The Wisdom of Eve" appeared in Cosmopolitan in 1946. The play based on that story was the basis for Joseph L. Mankiewicz's screenplay for the film. The episode occurred when Bergner was performing in the play The Two Mrs. Carrolls. Bergner took pity on a "waif-like" young woman who stood outside the theater for days on end. She gave her a job as her secretary, and the young actress tried to "take over" Bergner's life.[11]
Bergner was also reputedly the inspiration for the character of Dora Martin in the novel Mephisto by Klaus Mann.[12]
Death
She later moved to London, where she died, aged 88, from cancer.[13] She was cremated at Golders Green Crematorium on 15 May 1986, where she is commemorated with an oval memorial tablet in the West Cloister.
Bibliography
Anne Jespersen: Toedliche Wahrheit oder raffinierte Taeuschung. "Die Frauen in den Filmen Elisabeth Bergners" in Michael Omasta, Brigitte Mayr, Christian Cargnelli (eds.): Carl Mayer, Scenarist: Ein Script von ihm war schon ein Film – "A script by Carl Mayer was already a film". Synema, Vienna 2003; ISBN978-3-901644-10-8(in German and English)
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