For the Roman emperor with the same name, see Elagabalus.
Elagabalus (/ˌɛləˈɡæbələs/), Aelagabalus, Heliogabalus, (/ˌhiːliəˈɡæbələs/) or simply Elagabal (Aramaic: 𐡁𐡋𐡄𐡂𐡀𐡋 ʾĕlāhgabāl or 𐡁𐡋𐡄𐡀𐡂𐡀𐡋 ʾĕlāhaʾgabāl;[1]Arabic: إله الجبل Ilah al-Jabal, both literally meaning "God of the Mountain") was an Arab-Romansun god,[2] initially venerated in Emesa (modern-day Homs), Syria. Although there were many variations of the name, the god was consistently referred to as Elagabalus in Roman coins and inscriptions from AD 218 on, during the reign of emperorElagabalus.[3]
Cult
Elagabalus was initially venerated at Emesa in Syria, where the Arab Emesan dynasty acted as its priests. The name is the Latinised form of the Arabic "Ilah al-Jabal" ("إله الجبل"), the Emesene manifestation of the deity, which is Arabic for "God of the Mountain."[4][5][6][7] Elagabalus was the religious "lord", or Ba'al, of Emesa.[4] The deity successfully preserved Arab characteristics, both in his names and representations.[8]
The cult of the deity spread to other parts of the Roman Empire in the second century, where he would be revered as Elagabalos (Ἐλαγάβαλος Elagábalos) by the Greeks and Elagabalus by the Romans. For example, a dedication has been found as far away as Woerden, in the modern-day Netherlands.[9]
In Rome
The cult stone or baetyl was taken to Rome by the EmperorElagabalus, who, before his accession, was the hereditary high priest at Emesa and was commonly called Elagabalus after the deity.[10] The Syrian deity was assimilated with the Roman sun god known as Sol and became known as Sol Invictus ("the unconquered Sun") among the Romans.[11]
This stone is worshipped as though it were sent from heaven; on it there are some small projecting pieces and markings that are pointed out, which the people would like to believe are a rough picture of the sun, because this is how they see them.[13]
Herodian also related that Elagabalus forced senators to watch while he danced around his deity's altar to the sound of drums and cymbals,[12] and at each summer solstice celebrated a great festival, popular with the masses because of food distributions,[14] during which he placed the holy stone on a chariot adorned with gold and jewels, which he paraded through the city:
A six horse chariot carried the divinity, the horses huge and flawlessly white, with expensive gold fittings and rich ornaments. No one held the reins, and no one rode in the chariot; the vehicle was escorted as if the god himself were the charioteer. Elagabalus ran backward in front of the chariot, facing the god and holding the horses' reins. He made the whole journey in this reverse fashion, looking up into the face of his god.[14]
Herodian's description strongly suggests that the Emesene cult was inspired by the BabylonianAkitu-festival.[15]
According to Cassius Dio, the Emperor also tried to bring about a union of Roman and Syrian religion under the supremacy of his deity, which he placed even above Jupiter,[16] and to which he assigned either Astarte, Minerva or Urania, or some combination of the three, as wife.[14] The most sacred relics from the Roman religion were transferred from their respective shrines to the Elagabalium, including "the emblem of the Great Mother, the fire of Vesta, the Palladium, the shields of the Salii, and all that the Romans held sacred". He reportedly also declared that Jews, Samaritans and Christians must transfer their rites to his temple so that it "might include the mysteries of every form of worship".[17]
According to Herodian, after the emperor was killed in 222, his religious edicts were reversed and the cult of Elagabalus returned to Emesa.[18]
^Shahid, Irfan (1984). Rome and the Arabs. Washington, D.C.: Dumbarton Oaks. p. 36. ISBN0-88402-115-7. Just as the pagan Arab cult of the sun-god of Emesa is a relevant feature of background for the interest of the Severi in religion and in the case of Elagabalus for the installation of the Arab sun-god in Rome itself
^Martijn Icks, The Crimes of Elagabalus: The Life and Legacy of Rome's Decadent Boy Emperor (2011) p. 48
^The Journal of Juristic Papyrology, volume 23, page 116: "und mit palmyrenischer Inschrift "Gott Berg" steht die umstrittene Etymologie des Namens "Elagabal" (ilah ha-gabal) fest"