The Tasmanian Aboriginal Centre, representing over 7000 contemporary Tasmanians, called for the single to be boycotted as it perpetuated a 'white' myth about the extinction of Tasmanian Aborigines.[5] Their Native Title claims hinged upon establishing links with ancestral lands. Gary Morris, their manager, responded with, "My suggestion to these people is to stop shooting themselves in the foot and let a band like Midnight Oil voice its appeal to White Australia on behalf of Black Australia".[5]
Critics contended that Morris disparaged Indigenous Australians' ability to represent themselves and overestimated Midnight Oil's ambassadorial powers while diminishing their errors, while some indigenous activists saw benefit in Midnight Oil's highlighting of the issues.[5] "Truganini" released in March peaked at No. 10 on the ARIA singles charts,[1] No. 10 on Billboard Mainstream Rock Tracks and No. 4 on their Modern Rock Tracks charts,[3] and top 30 for the UK charts.[4]
Tom Demalon of AllMusic remarked, "If Earth and Sun and Moon isn't Midnight Oil's best effort, it's certainly close. The band still sticks to themes that are close to its heart -- the environment, native peoples, and other social causes -- but rarely has it managed to fashion an album full of songs that are as musically intoxicating."[6]
Andrew McMillen of The Australian said, "At a time when Nirvana et al turned toward angst and distortion, the Oils opted for a bounty of rich vocal harmonies and highly melodic rock songs, including two bass-led career highlights that bookend its eighth album."[8]
