EVA International (previously known as Limerick Exhibition of Visual Art and e v + a) is a large-scale contemporary art exhibition that takes place every two years in the city of Limerick, Republic of Ireland. It is known as Ireland's biennial,[1] and is held in even-numbered years.
History
The first incarnation of EVA International was The 77 Exhibition of Visual Art, created by the original committee with the mission statement of providing the public ‘with an opportunity to visit and experience an exhibition not normally available in the region and, at the same time, to stimulate an awareness of the visual arts here’.[2] Between then and 2017, there have been 37 editions of the citywide exhibition.[3]
Each edition is now curated by a different international curator of note, a practice that began with Sandy Nairne in 1979, the only exception to the international rule being Paul O’Reilly, Irish curator of the 1998 edition.[4] The exhibit now has an international focus to its programming, aiming to bring international art to Limerick whilst increasing Ireland's standing in the international art world through invited curators.[5] EVA exhibits have taken place in a number of venues across the city, notably at the Limerick City Gallery of Art, The Hunt Museum, and King John's Castle.[6] For each edition, artists are selected through an open call for submissions, beginning with the first exhibition in 1977. Between 1994 and 2010, the exhibit also included an ‘invited’ selection of artists in addition to those who responded to the open call for artists’ proposals.[5]
Curator Matt Packer was named Director of EVA in March 2017. Packer was previously the Director of CCA Centre For Contemporary Art, Derry.[7]
Changes in name
The name of the Limerick event has gone through several incarnations, with the original edition being known as the ‘77 Exhibition of Visual Art, Limerick’, the exhibit has variously been known as Exhibition of Visual Art, EVA, and e v + a.[8] Following incorporation as a company limited by guarantee in 2012, the organisation has operated under the business name ‘EVA International’.[9]
Young EVA
Young EVA is the organisation's flagship education programme. Beginning in 1984, this has taken a variety of forms, frequently involving artist-led workshops with school-age groups, often resulting in an exhibition of young participants’ work.[10]
Platform Commissions
Platform Commissions is a programme initiative started in 2018 by EVA International that focuses on the commission of works and projects by artists based in Ireland.[11]
The 1977 Exhibition of Visual Art took place across the Municipal Art Gallery (now the Limerick City Gallery of Art), the Cummins Gallery (no longer in operation), and The National Institute for Higher Education, Castletroy (now University of Limerick).
1978
The 78 Exhibition
Adrian Hall, Charles Harper, Theo McNab, Cóilín Murray
EVA 79 marked the first time that the exhibit was presided over by an invited international curator and adjudicator. Nairne set no specific theme for the exhibition, and wrote 'I have selected for the exhibition work that I consider to be the highest quality' from amongst 400 submissions.
For the 1983 edition of EVA, the committee held a reflective event, inviting the winning artists of the EVA prizes awarded at the five exhibits that had been held to date, to submit new or recent work to comprise the year's exhibition. As such, no curator was appointed. An essay by Aidan Dunne reflecting on the success of EVA from its inception was included in the exhibit's accompanying catalogue.
Peter Fuller's curatorship was notable for his exclusion of photography on the grounds that it 'is not art', and his refusal to award the sculpture prize to any of the selected sculptural works. During the 1984 exhibit, there was an incident in which a local resident attempted to deface David Lilburn's self-portrait, entitled Towards from the Forceps to the Chains of Office and winner of that year's graphics prize. Having been warned of the event, a photographer from the Limerick Leader arrived in time to take photographs of the resident smashing the glass on the print and prevent any further damage being done. The event was a subject of controversy, reported nationwide, and the photographs were later hung alongside the print in another exhibition.
^O'Reilly, Paul M. An EV+A compendium : being the catalogue for the invited EV&A exhibitions of 1994, 1996, 1998 and a remembrance of the 1997 EV+A colloquies on contemporary art and culture [editor: Paul M. O'Reilly]