"Ritter Gluck ['Chevalier Gluck']" (1st ed. 1809; final ed. 1819)
First appeared with the byline "– – – – nn" in the Allgemeine Musikalische Zeitung, vol. 11, no. 20 (Leipzig: Breitkopf & Härtel, February 15, 1809); subsequently included in the Fantasiestücke, vol. 1, 1st ed. (1814) and 2nd ed. (1819) (Mazza 1996: 778).
Review of Beethoven's Symphony No. 5 in C minor, Op. 67 (1808) that first appeared anonymously in the Allgemeine Musikalische Zeitung, vol. 12, no. 40–41 (Leipzig: Breitkopf & Härtel, July 4, 1810 and July 11, 1810); subsequently incorporated into the essay "Beethoven's Instrumental-Musik" (1813), which was then included as one of the "Kreisleriana" in the Fantasiestücke, vol. 1, 1st ed. (1814) and 2nd ed. (1819) (Schnapp 1963: 437).
"Johannes Kreislers, des Kapellmeisters, musikalische Leiden ['The Musical Sufferings of Johannes Kreisler, Music Director']" (1st ed. 1810; final ed. 1819)
First appeared anonymously in the Allgemeine Musikalische Zeitung, vol. 12, no. 52 (Leipzig: Breitkopf & Härtel, September 26, 1810); subsequently included as one of the "Kreisleriana" in the Fantasiestücke, vol. 1, 1st ed. (1814) and 2nd ed. (1819) (Mazza 1996: 778).
1811
This chronological listing is still under development. Please be patient.
1812
"Des Kapellmeisters, Johannes Kreislers, Dissertatiuncula über den hohen Werth der Musik ['The Musik Director Johannes Kreisler's Comments on the High Value of Music']" (1st ed. 1812; final ed. 1819)
First appeared anonymously in the Allgemeine Musikalische Zeitung, vol. 14 (Leipzig: Breitkopf & Härtel, July 29, 1812); subsequently included as one of the "Kreisleriana" under the title "Gedanken über den hohen Wert der Musik" in the Fantasiestücke, vol. 1, 1st ed. (1814) and 2nd ed. (1819).
Review of Beethoven's Piano Trio No. 5 in D Major, Op. 70, No. 1 (1808) and Piano Trio No. 6 in E-flat Major, Op. 70, No. 2 (1808) that first appeared anonymously in the Allgemeine Musikalische Zeitung, vol. 15, no. 9 (Leipzig: Breitkopf & Härtel, March 3, 1813); subsequently incorporated into the essay "Beethoven's Instrumental-Musik" (1813), which was then included as one of the "Kreisleriana" in the Fantasiestücke, vol. 1, 1st ed. (1814) and 2nd ed. (1819).
"Don Juan" (1st ed. 1813; final ed. 1819)
First appeared anonymously in the Allgemeine Musikalische Zeitung, vol. 15, no. 13 (Leipzig: Breitkopf & Härtel, March 31, 1813); subsequently included in the Fantasiestücke, vol. 1, 1st ed. (1814) and 2nd ed. (1819).
"Der Dichter und der Komponist ['The Poet and the Composer']" (comp. 1813; 1st ed. 1813; final ed. 1819)
Composed in September and October 1813 (Segebrecht 1963: 1045), this essay first appeared anonymously in the Allgemeine Musikalische Zeitung, vol. 15, no. 49 and 50 (Leipzig: Breitkopf & Härtel, December 8, 1813 – December 15, 1813). It was subsequently included in Die Serapions-Brüder, vol. 1 (1819) (Müller-Seidel 1963: [1155]).
Reworking of Hoffmann's "Sinfonie pour 2 Violons, [. . .]" (1810) and "Deux Trios pour Pianoforte, [. . .]" (1813), reviews of Beethoven's Symphony No. 5 in C minor, Op. 67 (1808) and his Piano Trio No. 5 in D Major, Op. 70, No. 1 (1808) and Piano Trio No. 6 in E-flat Major, Op. 70, No. 2 (1808), respectively, that first appeared anonymously in the Zeitung für die elegante Welt, vol. 13, no. 245–247 (December 9, 1813 – December 11, 1813) and was subsequently included as one of the "Kreisleriana" in the Fantasiestücke, vol. 1, 1st ed. (1814) and 2nd ed. (1819).
1814
"Briefe des Baron Wallborn an den Kapellmeister Johannes Kreisler und des Kapellmeisters Johannes Kreisler an den Baron Wallborn ['Letters from Baron Wallborn to Music Director Johannes Kreisler and from Music Director Johannes Kreisler to Baron Wallborn']" (1st ed. 1814; final ed. 1819)
First appeared with the byline "vom Kapellmeister J. Kreisler ['by Music Director J. Kreisler']" in the Zeitung für die elegante Welt, vol. 14, no. 2–5 (January 4, 1814 – January 8, 1814); subsequently included as one of the "Kreisleriana" in the Fantasiestücke, vol. 1, 1st ed. (1814) and 2nd ed. (1819).
"Nachricht von einem gebildeten jungen Mann ['News of an Educated Young Man']" (1st ed. 1814; final ed. 1819)
First appeared with the byline "aus den Papieren des Kapellmeisters, Johannes Kreisler ['from the papers of the Music Director Johannes Kreisler']" in the Allgemeine Musikalische Zeitung, vol. 16, no. 11 (Leipzig: Breitkopf & Härtel, March 16, 1814); subsequently included as one of the "Kreisleriana" in the Fantasiestücke, 1st ed., vol. 4 (1815), and 2nd ed., vol. 2 (1819).
"Der Musikfeind ['The Enemy of Music']" (1st ed. 1814; final ed. 1819)
First appeared anonymously in the Allgemeine Musikalische Zeitung, vol. 16, no. 22 (Leipzig: Breitkopf & Härtel, June 1, 1814); subsequently included as one of the "Kreisleriana" in the Fantasiestücke, 1st ed., vol. 4 (1815), and 2nd ed., vol. 2 (1819).
"Über einen Ausspruch Sacchinis, und über den sogenannten Effect in der Musik ['On an Remark of Sacchini's, and on So-Called Effect in Music']" (1st ed. 1814; final ed. 1819)
First appeared anonymously in the Allgemeine Musikalische Zeitung, vol. 16, no. 29 (Leipzig: Breitkopf & Härtel, July 20, 1814); subsequently included as one of the "Kreisleriana" in the Fantasiestücke, 1st ed., vol. 4 (1815), and 2nd ed., vol. 2 (1819).
Fantasiestücke in Callots Manier [Fantasy Pieces in the Manner of Callot or Fantasias in Callot's Style] (1st ed., 4 vol., 1814–1815; 2nd and final ed., 2 vol., 1819)
Die Elixiere des Teufels [The Devil's Elixir] (2 vol., 1815–1816)
1816
"Ahnungen aus dem Reiche der Töne ['Premonitions from the Tonal Realm']" (1816)
Original version of "Johannes Kreislers Lehrbrief" (1815) that first appeared with the byline "Hff." in the Morgenblatt für gebildete Stände, vol. 10, no. 45–46 (February 21, 1816 – February 22, 1816) (Mazza 1996: 778).
Nachtstücke [Night Pieces or Nocturnes] (2 vol., 1816–1817)
Seltsame Leiden eines Theaterdirektors [Strange Sorrows of a Theater Director] (1818)
1819
"Bruchstück aus den Serapionsbrüdern ['Fragment from the Serapion Brothers']: Der Einsiedler Serapion ['The Hermit Serapion']" (comp. 1818; 1st ed. 1819; final ed. 1819)
This story was probably composed in November and December 1818 (Segebrecht 1963: 1036). It first appeared anonymously in Der Freimüthige für Deutschland: Zeitblatt der Belehrung und Aufheiterung, vol. 1, no. 4, 6, and 8, ed. K. Müchler and Johann Daniel Symanski (January 5, 1819 – January 11, 1819) (Segebrecht 1963: 1032) and was subsequently embedded without a title in Die Serapions-Brüder, vol. 1 (1819) (Hoffmann 1819–1821/1963: 17).
"Die Irrungen: Fragment aus dem Leben eines Fantasten ['The Errors: Fragment from the Life of a Fantast']" (1820)
1821
"Die Geheimnisse: Fortsetzung des Fragments aus dem Leben eines Fantasten, 'Die Irrungen' ['The Secrets: Continuation of the Fragment from the Life of a Fantast, "The Errors"']" (1821)
Hoffmann, Ernst Theodor Wilhelm (1819–1821/1963). Die Serapions-Brüder: Gesammelte Erzählungen und Märchen. Müller-Seidel 1963: [5]–[995].
Mazza, Ethel Mattala de (1996). "Anmerkungen". Neumann 1996: 777–877.
Müller-Seidel, Walter (1963), ed. E. T. A. Hoffmann: Die Serapions-Brüder. Based on the text of the 1st ed. (1819–1821), checked against the ed. from Carl Georg von Maassen and Georg Ellinger. D/München: Winkler-Verlag.
Neumann, Gerhard (1996), ed. E.T.A. Hoffmann: Fantasie- und Nachtstücke. 6th ed. Winkler Weltliteratur: Dünndruck-Ausgabe. D/Düsseldorf and CH/Zürich: Artemis & Winkler. 1996 by Artemis & Winkler Verlag. ISBN3-538-05373-1 (cloth); ISBN3-583-05873-9 (leather).
Schnapp, Friedrich (1963), ed. E.T.A. Hoffmann: Schriften zur Musik; Nachlese. After the text of the 1st ed. and mss. D/München: Winkler-Verlag. 1963 by Winkler-Verlag.