The logo for the label was the last project completed by artist Roy Lichtenstein. The distinctive design, incorporating a musical note in the artist's trademark "dream balloon," debuted on the packaging for Beautiful Freak, the first album from Los Angeles-based band Eels, and the second release from the record company.[6] The record label's first release, George Michael's Older album, had featured DreamWorks Pictures' logo of a boy fishing and sitting on a moon crescent.[7]
Geffen Records distributed DreamWorks Records until 1999, when Interscope Records took over distribution duties (meanwhile, as Interscope and Geffen switched international distribution to Polydor Records, DreamWorks Records followed suit). It was announced on November 11, 2003, that Universal Music Group (the former MCA Music Entertainment, and parent of Interscope, Geffen, and Polydor) reached an agreement to acquire DreamWorks Records from DreamWorks for "about $100 million".[10] The purchase came at a time when the music business was "going through major changes" as it struggled to "counter falling sales and the impact of unofficial online music sales". Mo Ostin, the principal executive at DreamWorks Records, said: "Despite the challenges of the music business today, Universal is acquiring a wonderful asset and the sale will assure the strongest possible future for our artists".[11] Under the new deal, DreamWorks Records was placed within the Interscope Geffen A&M label, under the direction of Jimmy Iovine.[10] After the finalisation of the label's sale to UMG on January 9, 2004, 100 employees were laid off at DreamWorks, as it was folded into Geffen Records.[12] Notably, the label's A&R staff were kept on to the label.[12] Polly Anthony joined Jordan Schur as Geffen co-heads in 2004.[13]
Its country music division, DreamWorks Nashville, which began in June 1997, remained operational until September 1, 2005, when it was shut down by Universal Music Group Nashville following the departure of the label's biggest star, Toby Keith.[14]
DreamWorks Nashville
Between 1997 and 2005, DreamWorks also operated a division in Nashville, Tennessee for country music acts. Among the artists signed to the DreamWorks Nashville division were Jessica Andrews, Emerson Drive, Toby Keith, Mike Walker, Randy Travis, Jimmy Wayne, and Darryl Worley.[15] After DreamWorks Records' dissolution, former executive Scott Borchetta formed Big Machine Records in late 2005, signing several country music acts to the label.[16] Borchetta also signed Show Dog Records in partnership with Toby Keith,[17] although Keith dropped his association with the latter label in 2005. Meanwhile, Borchetta signed Taylor Swift to Big Machine Records.[18] The latter label merged with Universal South Records to become Show Dog-Universal Music.[19]