Donika Kelly (born early 1980s)[1] is an American poet and academic, who is Assistant Professor of English at the University of Iowa,[2] where she teaches creative writing. She is the author of the chapbook Aviarium, published with fivehundred places in 2017, and the full-length collections Bestiary (Graywolf Press, 2016) and The Renunciations (Graywolf Press, May 2021).
Bestiary is the winner of the 2015 Cave Canem Poetry Prize,[3] the 2017 Hurston/Wright Award for poetry,[4] and the 2018 Kate Tufts Discovery Award,[4] and was longlisted for the National Book Award in 2016[5] and a finalist for a Lambda Literary Award[6] and a Publishing Triangle Award in 2017.[7]
The Renunciations was a finalist for the 2021 National Book Critics Circle Award for Poetry,[8] and the winner of the 2022 Anisfield-Wolf Book Award for poetry.[9]
Kelly earned her MFA in Writing from the Michener Center for Writers[10] and a Ph.D. in English from Vanderbilt University.[10] She is a Cave Canem Foundation Graduate Fellow,[11] the recipient of a Lannan Residency fellowship,[12] and a fellowship to the Fine Arts Work Center in Provincetown, Massachusetts.[2] Her poems have appeared in The Paris Review,[13] Foglifter,[14] and The New Yorker, among other journals and magazines,[15] and she is a contributor to the 2019 anthology New Daughters of Africa, edited by Margaret Busby.[16] Kelly lives in Iowa with her wife Melissa Febos.[17]
Kelly was born in Los Angeles, California, in the early 1980s and moved with her family to Arkansas in the late 1990s.[1]
In 2005, Kelly received a Bachelor of Arts degree in English from Southern Arkansas University.[18] She received a Master of Fine Arts from the University of Texas in 2008.[10] Her thesis was called The White Meat. In 2009, she obtained a Master of Arts from Vanderbilt University.[1] Her thesis, Framing the Subject in Natasha Trethewey’s Bellocq’s Ophelia, analyzed Natasha Trethewey's book on Ernest J. Bellocq's photography, specifically those of unnamed mixed-race prostitutes. Kelly finished her Ph.D in English Literature from Vanderbilt University in August 2013.[1] Her dissertation was titled Reading against Genre: Contemporary Westerns and the Problem of White Manhood. In it, Kelly explains how the way in which society perceives the role of white men is largely influenced by the way they are portrayed in media, with a particular focus on contemporary Western films.[19]
She lives in Iowa with her wife, the poet Melissa Febos.[20]
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