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Dogs Is Dogs
Dogs Is Dogs
Directed by	Robert F. McGowan
Written by	H. M. Walker
Produced by	Robert F. McGowan; Hal Roach
Cinematography	Art Lloyd
Edited by	Richard C. Currier
Music by	Leroy Shield; Marvin Hatley
Distributed by	MGM
Release date	November 21, 1931;
Running time	20:39
Country	United States
Language	English

Dogs Is Dogs is a 1931 Our Gang short comedy film directed by Robert F. McGowan.^[1] It was the 110th Our Gang short to be released.^[2]

Plot

Youngsters Wheezer and Dorothy live with their wicked stepmother (Blanche Payson) and her bratty son Sherwood – whom they derisively call "Spud". Their father seems to be long gone, though Wheezer tearfully observes that since he said he'd come back for them, "I know he will". The two-tier class system among the people in the house is reflected by its canine residents: Spud's posh police dog Nero is described by mom as "a pedigreed animal" and has the run of the house, while Wheezer's dog Pete "is nothing but an alley dog" and is banned from entry.

A typical day begins with Pete coming into Wheezer's bedroom through an open window, and Sherwood wastes no time telling on Wheezer, who promptly gets a spanking from six-foot-two-inch Payson. She threatens to send Pete to the pound next time he is found in the house. Wheezer then pops Spud in the face, and Spud screams and cries for his "mama-mama-mama". This brings a second barrage of spanking with the attempt to push the stepmother away in between spanks and the threat to throw him and Dorothy into an orphanage if their "good for nothing" father does not show up soon. It also brings tender comfort for Wheezer from Dorothy and Pete, whose close-up reveals big lush tears rolling down his concerned snout. Payson then leaves to go downtown and tells Wheezer to not let Sherwood get dirty.

Outside, Stymie stops by Pete's doghouse for a chat about how hungry they both are. Stymie wistfully rhapsodizes about the spread he'd put together for both of them, and we cut back repeatedly to Pete, whose mouth is watering at the mention of all the fine food.

Stymie arrives at the kitchen door, where Wheezer and Dorothy have only mush to eat, while Spud and Nero enjoy ham and eggs. Spurred by the aromas of the kitchen, Stymie runs a con job on Spud, telling him that ham and eggs can talk: "I heard 'em talkin' this mornin'". To disprove it, skeptical Spud cooks up a heapin' frying pan of ham and eggs, then loses interest and goes outside when the egg-to-ham dialogue fails to materialize. Stymie, Wheezer and Dorothy dig in and enjoy the feast.

Spud, squatting by the edge of a well, is pushed in – by his own dog. He sends Dickie to get Wheezer. Wheezer and Stymie, stretching and in no great hurry, stroll out "to see what the trouble is". They get Spud a rope after teasing him a little while. As they pull him up from the well, he states that he'll be "telling mother about this". Wheezer drops the rope and Spud plunges back in. Then as he pulls him out again, Spud swears he will keep this a secret – until Spud gets his feet on the ground and says "I am too gonna tell Mama!" Wheezer states that the dunking Spud got will be worth the whipping he'll get.

Later, Spud goes to a neighbor's barn and finds that Nero has killed another chicken. He tells the owner, Mr. Brown (Billy Gilbert), that Pete killed the bird. Mr. Brown then tries to shoot Pete, but Wheezer, Dorothy, and finally a policeman (Harry Bernard), stop him. Nevertheless, Pete is sent to the pound because he is unlicensed.

At the pound, Wheezer gazes at Pete through the fence and cries until a kind lady (Lyle Tayo) asks what's the matter. Turns out she is his auntie ("Yes, I am your father's sister") and she gives him the two dollars to spring Petey from the dog pound. She then tells Wheezer and Dorothy that their "daddy has been very, very sick" and she would be taking them to live with her in a nice place. As she takes the gussied-up Wheezer, Dorothy and Pete to the chauffeured car with all their belongings, the mean stepmother gripes that their father was no good anyway and she was fed up with taking care of the children. Auntie firmly tells the stepmother, "Well, you won't be troubled any longer!" The stepmother bends over to straighten the carpet and the aunt comes back to give her a swift kick in the backside for her cruelty to the children and walks back to her car. This sends stepmother into a fit of bawling, and when Sherwood tries to comfort her, she yells at him to "oh, get into the house!"

The film closes when Wheezer says to Dorothy that "I sure hate to leave my old pal Stymie", but the final shot reveals Stymie – in a brand-new suit of his own – riding comfortably in the spare tire.

Cast

The Gang

Bobby Hutchins as Wheezer
Sherwood Bailey as Sherwood 'Spud'
Matthew Beard as Stymie
Dorothy DeBorba as Dorothy
Dickie Jackson as Dickie
Pete the Pup as himself

Additional cast

Harry Bernard as Policeman
Baldwin Cooke as The driver
Billy Gilbert as Mr. Brown
Blanche Payson as Spud's mother
Lyle Tayo as Wheezer and Dorothy's aunt

Reception

Film critic Leonard Maltin has rated Dogs is Dogs as one of the best Our Gang films in the series.^[3]

Notes

The first several minutes of Dogs is Dogs were edited out of the syndicated Little Rascals television package in 1971 because of the maltreatment of children being portrayed. Likewise, the scene with Stymie and Pete discussing food and some of the ham-and-egg routine were excised for racial stereotyping. The unedited version was reinstated on television and shown on AMC between 2001 and 2003. The complete, unedited version is currently available in VHS and DVD formats.

References

^ Hal Erickson (2011). "New York Times: Dogs Is Dogs". Movies & TV Dept. The New York Times. Baseline & All Movie Guide. Archived from the original on May 20, 2011. Retrieved September 20, 2008.
^ Maltin, Leonard; Bann, Richard W. (1977). Our Gang: The Life and Times of the Little Rascals. Crown Publishers. pp. 133–135. Retrieved March 3, 2024.
^ Maltin, Leonard and Bann, Richard W. (1977, rev. 1992). The Little Rascals: The Life and Times of Our Gang, pp. 114-115. New York: Crown Publishing/Three Rivers Press. ISBN 0-517-58325-9