There are different theories why audiences consume apocalyptic films, according to filmmaker Roland Emmerich, "They are somewhat cathartic. You see all this destruction and everything but at the end the right people save the day." Wheeler Winston Dixon notes, "I think they’re sort of preparing us for something that’s going to happen in the future."[2]
According to Eva Horn, "What makes today’s obsession different from previous epochs’ is the sense of a “catastrophe without event,” a stealthily creeping process of disintegration. Ultimately, Horn argues, imagined catastrophes offer us intellectual tools that can render a future shadowed with apocalyptic possibilities affectively, epistemologically, and politically accessible."[3]