Music theorists working in diatonic set theory include Eytan Agmon, Gerald J. Balzano, Norman Carey, David Clampitt, John Clough, Jay Rahn, and mathematician Jack Douthett. A number of key concepts were first formulated by David Rothenberg (the Rothenberg propriety), who published in the journal Mathematical Systems Theory, and Erv Wilson, working entirely outside of the academic world.
Balzano, Gerald, "The Pitch Set as a Level of Description for Studying Musical Pitch Perception", Music, Mind and Brain, the Neurophysiology of Music, Manfred Clynes, ed., Plenum Press, 1982.
Carey, Norman and Clampitt, David (1996), "Self-Similar Pitch Structures, Their Duals, and Rhythmic Analogues", Perspectives of New Music 34, no. 2: 62–87.
Johnson, Timothy (2003), Foundations of Diatonic Theory: A Mathematically Based Approach to Music Fundamentals, Key College Publishing. ISBN1-930190-80-8.
Precursors
Rahn, Jay (1977), "Some Recurrent Features of Scales", In Theory Only2, nos. 11–12: 43–52.