Year |
Name of work |
Medium type |
Instrumentation |
Length |
Opus |
Remarks
|
2021 |
Zwei kurze Stücke |
acousmatic |
stereophonic acousmonium/loudspeakers |
14.14 |
op.191 |
|
2020 |
Air |
acousmatic |
stereophonic acousmonium/loudspeakers |
09.09 |
op.190 |
text by Thomas Brando, from the cycle Les Acousmalides
|
2019 |
Missa pro pueris |
acousmatic |
stereophonic acousmonium/loudspeakers |
47.47 |
op.189 |
text by Thomas Brando
|
2019
|
Touché par l'air |
mixed/solo |
voice and stereophonic acousmonium/loudspeakers |
11.11 |
op.188 |
text by Thomas Brando, dedicated to Hém-Ish
|
2019 |
Spot 4 |
instrumental/solo |
piano four hands |
04.00 |
op.187 |
dedicated to Jacques Raynaut and Ludovic Selmi
|
2019 |
Abschied und Lebewohl |
instrumental/solo |
piano |
02.10 |
op.186 |
dedicated to Karlheinz Roschitz
|
2019 |
Koley Bāzār |
acousmatic |
stereophonic acousmonium/loudspeakers |
08.08 |
op.185 |
|
2018
|
Amor Niger L. |
mixed/solo |
voice and stereophonic acousmonium/loudspeakers |
06.30 |
op.184 |
text by Thomas Brando, from the cycle Le Livre des désordres
|
2018 |
BlindPoint |
acousmatic |
stereophonic acousmonium/loudspeakers |
30.30 |
op.183 |
|
2017 |
Les Cris de Tatibagan |
acousmatic |
stereophonic acousmonium/loudspeakers |
115.00 |
op.182 |
|
2016 |
Tapovan |
acousmatic |
stereophonic acousmonium/loudspeakers |
18.18 |
op.181 |
text by Thomas Brando, dedicated to Tomonari Higaki
|
2016 |
Anamorphose |
acousmatic |
stereophonic acousmonium/loudspeakers |
10.10 |
op.180 |
|
2016 |
Origine |
acousmatic |
stereophonic acousmonium/loudspeakers |
17.50 |
op.179 |
dedicated to Dieter Kaufmann
|
2016 |
In-quarto |
instrumental/ensemble |
2 violins, viola and violoncello |
21.00 |
op.178 |
from the cycle Fantaisies romantiques et baroques/Plis de perversion
|
2015 |
Chambre 44 |
mixed/ensemble |
flute, alto saxophone, percussion, piano and stereophonic acousmonium/loudspeakers |
10.30 |
op.177 |
|
2015 |
Túngara |
mixed/solo |
marimba and stereophonic acousmonium/loudspeakers |
06.30 |
op.176 |
from the cycle Fantaisies romantiques et baroques/Marais, dedicated to Philippe Spiesser
|
2015 |
Sprint |
instrumental/ensemble |
flute, percussion, violin, violoncello and contrabass |
11.00 |
op.175 |
from the cycle Le Livre des désordres
|
2014 |
Si tendre, si funeste |
acousmatic |
stereophonic acousmonium/loudspeakers |
05.17 |
op.174 |
hommage to Marguerite Duras
|
2014 |
Les Fleurs enchantées |
mixed/ensemble |
3 flutes and stereophonic acousmonium/loudspeakers |
12.00 |
op.173 |
|
2014 |
Fluorescence |
instrumental/ensemble |
4 flutes |
13.00 |
op.172 |
hommage to Jean-Philippe Rameau
|
2014 |
Spot |
instrumental/solo |
piano |
03.30 |
op.171 |
from the cycle Fantaisies romantiques et baroques/Délicieux danger, dedicated to Nicolas Horvath
|
2013 |
Blue Rocket on a Rocky Shore |
acousmatic |
stereophonic acousmonium/loudspeakers |
31.31 |
op.170 |
text by Thomas Brando
|
2013 |
Stèle pour Pierre Schaeffer |
instrumental/ensemble |
flute, bass clarinet, alto saxophone, trumpet and violoncello |
05.00 |
op.169 |
from the cycle Fantaisies romantiques et baroques/Délicieux danger
|
2013 |
Dernier quatuor |
instrumental/ensemble |
2 violins, viola and violoncello |
15.00 |
op.168 |
|
2013 |
Aristée et Eurydice |
acousmatic |
stereophonic acousmonium/loudspeakers |
04.00 |
op.167 |
|
2013 |
Quatuor “les héros anonymes” |
mixed/ensemble |
flute, oboe, viola, contrabass and stereophonic acousmonium/loudspeakers |
10.43 |
op.166 |
|
2013 |
Cinq formes d'appel |
instrumental/ensemble |
trumpet and bass clarinet |
09.00 |
op.165 |
|
2013 |
In Paradisum |
acousmatic |
stereophonic acousmonium/loudspeakers |
06.40 |
op.164 |
|
2012 |
Post mortem (Et puis paf !) |
mixed/choral |
choir of mixed voices and stereophonic acousmonium/loudspeakers |
08.21 |
op.163 |
text by Thomas Brando
|
2012 |
Accordéon |
mixed/solo |
voice and stereophonic acousmonium/loudspeakers |
03.24 |
op.162 |
from the cycle Fantaisies romantiques et baroques/Plis de perversion
|
2012 |
Selva |
acousmatic |
stereophonic acousmonium/loudspeakers |
06.40 |
op.161 |
|
2012 |
Volver |
acousmatic |
stereophonic acousmonium/loudspeakers |
06.30 |
op.160 |
|
2012 |
Syntagma |
acousmatic |
stereophonic acousmonium/loudspeakers |
13.00 |
op.159 |
dedicated to Iannis Xenakis
|
2011 |
Hentai |
acousmatic |
stereophonic acousmonium/loudspeakers |
10.32 |
op.158 |
text by Thomas Brando
|
2011 |
Variations acousmatiques |
acousmatic |
stereophonic acousmonium/loudspeakers |
14.26 |
op.157 |
|
2011 |
Les Invasions fantômes |
acousmatic |
stereophonic acousmonium/loudspeakers |
32.50 |
op.149 |
text by Thomas Brando
|
2011 |
Poursuite |
instrumental/ensemble |
violin and violoncello |
09.30 |
op.156 |
|
2011 |
Rivage de la soif |
acousmatic |
stereophonic acousmonium/loudspeakers |
10.00 |
op.155 |
text by Thomas Brando, from the cycle Les Acousmalides
|
2010 |
The Wall |
acousmatic |
stereophonic acousmonium/loudspeakers |
28.40 |
op.154-a |
|
2010 |
Mur |
multimedia |
stereophonic acousmonium/loudspeakers and video |
28.40 |
op.154-b |
|
2010 |
Ryoan-ji [Le jardin de Pierre de Kyoto] |
acousmatic |
stereophonic acousmonium/loudspeakers |
10.19 |
op.153 |
from the cycle Fantaisies romantiques et baroques/Délicieux danger
|
2009 |
La Chasse à l'ombilic |
mixed/ensemble |
narrator, violin, viola, violoncello and stereophonic acousmonium/loudspeakers |
11.06 |
op.152 |
text by Thomas Brando
|
2009 |
Gaillarde |
instrumental/ensemble |
ensemble of recorders |
06.30 |
op.151 |
|
2009 |
Face aux ténèbres |
mixed/ensemble |
alto saxophone, percussion, piano and stereophonic acousmonium/loudspeakers |
10.14 |
op.150 |
from the cycle Le Livre des désordres
|
2009 |
L'Attente des nuages |
mixed/solo |
contralto and stereophonic acousmonium/loudspeakers |
38.15 |
op.148 |
text by Thomas Brando
|
2009 |
Augen Licht |
acousmatic |
stereophonic acousmonium/loudspeakers |
25.00 |
op.147 |
|
2009 |
The Blob |
acousmatic |
stereophonic acousmonium/loudspeakers |
10.11 |
op.146 |
from the cycle Le Livre des désordres
|
2008 |
Acid Folk |
mixed/ensemble |
clarinet, violoncello and stereophonic acousmonium/loudspeakers |
42.00 |
op.145 |
|
2008 |
PH 27-80 |
acousmatic |
stereophonic acousmonium/loudspeakers |
80.27 |
op.144 |
dedicated to Pierre Henry
|
2008 |
Heimliches Licht |
mixed/solo |
flute and stereophonic acousmonium/loudspeakers |
07.25 |
op.143 |
from the cycle Le Livre des désordres
|
2008 |
Noir |
mixed/solo |
piano and stereophonic acousmonium/loudspeakers |
06.00 |
op.142 |
from the cycle Le Livre des désordres
|
2008 |
Flamme |
instrumental/orchestral |
symphony orchestra |
03.30 |
op.141 |
|
2007 |
Carosello |
acousmatic |
16 channel acousmonium/loudspeakers |
08.14 |
op.140 |
|
2007 |
Dionaea |
acousmatic |
stereophonic acousmonium/loudspeakers |
10.10 |
op.139 |
from the cycle Le Livre des désordres
|
2007 |
Spiritus / Stella |
instrumental/ensemble |
2 viola de gambas |
10.00 |
op.138 |
from the cycle Le Livre des désordres
|
2007 |
L'Esprit en étoile |
acousmatic |
stereophonic acousmonium/loudspeakers |
14.44 |
op.137 |
from the cycle Le Livre des désordres
|
2006 |
Altitude |
instrumental/solo |
viola |
12.30 |
op.136 |
|
2005 |
Oriflamme |
instrumental/ensemble |
saxophone and percussion |
12.00 |
op.135 |
|
2005 |
Voix Off' |
acousmatic |
stereophonic+hexaphonic acousmonium/loudspeakers |
91.02 |
op.134 |
text by Thomas Brando
|
2005 |
Salves |
mixed/ensemble |
flute, saxophone, percussion, piano and stereophonic acousmonium/loudspeakers |
35.00 |
op.133 |
|
2004 |
Deux rainettes vertes |
mixed/ensemble |
2 guitars and acousmonium/loudspeakers |
10.10 |
op.132 |
from the cycle Fantaisies romantiques et baroques/Marais
|
2004 |
Secret plié en seize dans le coffre de hune |
instrumental/ensemble |
guitar, violin, viola and violoncello |
05.00 |
op.131 |
from the cycle Fantaisies romantiques et baroques/Plis de perversion
|
2004 |
Rainette verte |
instrumental/solo |
guitar |
06.00 |
op.130 |
from the cycle Fantaisies romantiques et baroques/Marais
|
2003 |
Sphère |
instrumental/orchestral |
large orchestra |
06.30 |
op.129 |
|
2003 |
La Tour des murmures |
acousmatic |
16 channel acousmonium/loudspeakers |
70.00 |
op.128 |
|
2003 |
Silex |
instrumental/ensemble |
flute, clarinet, violin, viola and violoncello |
13.00 |
op.127 |
|
2003 |
Le Tango de l'oubli |
acousmatic |
stereophonic acousmonium/loudspeakers |
04.02 |
op.126 |
|
2003 |
Sotto voce |
acousmatic |
stereophonic acousmonium/loudspeakers |
15.22 |
op.125 |
text by Thomas Brando
|
2002 |
Géométrie mystique |
acousmatic |
stereophonic acousmonium/loudspeakers |
04.28 |
op.124 |
text by Thomas Brando, from the cycle Les Acousmalides
|
2002 |
Mille soleils |
instrumental/orchestral |
symphonic band |
18.00 |
op.123 |
|
2002 |
La Terre est ronde |
acousmatic |
stereophonic acousmonium/loudspeakers |
11'05 |
op.122 |
Compact Disc: Motus Acousma M303006; dedicated to Jonathan Prager
|
2002 |
L’Ivre d’avril |
acousmatic |
stereophonic acousmonium/loudspeakers |
04.10 |
op.121 |
text by Thomas Brando, from the cycle Les Acousmalides
|
2002 |
L’Heure exacte |
mixed/ensemble |
clarinet, saxophone, trombone, piano and stereophonic acousmonium/loudspeakers |
13.00 |
op.120 |
|
2002 |
Confession |
instrumental/ensemble |
soprano, flute, percussion and violoncello |
06.00 |
op.119 |
text by Thomas Brando, from the cycle Le Plaisir des chants difficiles
|
2002 |
Dédale |
instrumental/ensemble |
soprano, flute, percussion and violoncello |
07.10 |
op.118 |
text by Thomas Brando, from the cycle Le Plaisir des chants difficiles
|
2002 |
Préhistoire |
instrumental/ensemble |
soprano, flute, percussion and violoncello |
05.10 |
op.117 |
text by Thomas Brando, from the cycle Le Plaisir des chants difficiles
|
2001 |
Piano dans le ciel |
acousmatic |
stereophonic acousmonium/loudspeakers |
37.00 |
op.116 |
|
2001 |
Panique au bord de l’eau |
acousmatic |
stereophonic acousmonium/loudspeakers |
06.05 |
op.115 |
text by Thomas Brando, from the cycle Les Acousmalides
|
2001 |
La Malédiction des flammes |
acousmatic |
stereophonic acousmonium/loudspeakers |
06.11 |
op.114 |
text by Thomas Brando; from the cycle Les Acousmalides; Compact Disc: Licences LCScd01
|
2001 |
Berechit |
acousmatic |
stereophonic acousmonium/loudspeakers |
06.00 |
op.113 |
|
2001 |
Spirale |
acousmatic |
stereophonic acousmonium/loudspeakers |
18.48 |
op.112 |
|
2001 |
Nautilus |
acousmatic |
stereophonic acousmonium/loudspeakers |
07.44 |
op.111 |
|
2000 |
Chanson de la plus haute tour |
acousmatic |
stereophonic double acousmonium/loudspeakers |
72.00 |
op.110 |
text by Thomas Brando; voice of Pierre Henry; dedicated to Pierre Henry
|
2000 |
Organa |
acousmatic |
stereophonic acousmonium/loudspeakers |
09.00 |
op.109 |
|
2000 |
Caravaggio |
acousmatic |
stereophonic acousmonium/loudspeakers |
10.00 |
op.108 |
text by Thomas Brando, from the cycle Les Acousmalides, Licences
|
2000 |
La Nuit du Dibdak |
acousmatic |
stereophonic acousmonium/loudspeakers |
06.12 |
op.107 |
co-composed with Roberto Kenofsky; text by Marc Jaffeux; Compact Disc: Studio Forum
|
2000 |
L’Aile de l’abeille |
acousmatic |
stereophonic acousmonium/loudspeakers |
07.00 |
op.106 |
text by Marc Jaffeux
|
1999 |
Les Joueurs de sons |
acousmatic |
stereophonic+hexaphonic acousmonium/loudspeakers |
72.40 |
op.105 |
co-composed with Agnes Poisson
|
1999 |
Organe |
mixed/solo |
organ and stereophonic acousmonium/loudspeakers |
12.00 |
op.104 |
|
1998 |
Orange-Cité |
instrumental/ensemble |
flute, clarinet, percussion, piano, violin, viola, violoncello and contrabass |
08.30 |
op.103 |
|
1998 |
Cinq miniatures pour Barbe Bleue |
instrumental/ensemble |
soprano, bass, flute, clarinet, piano, violin, viola and violoncello |
12.00 |
op.102 |
text by Thomas Brando
|
1998 |
Terra incognita |
acousmatic |
stereophonic double acousmonium/loudspeakers |
25.42 |
op.101 |
Compact Disc: Motus Acousma M199005; dedicated to Pierre Schaeffer
|
1998 |
Lachrymae |
instrumental/ensemble |
6 viols |
25.00 |
op.100 |
|
1997 |
Beethov’étonne |
acousmatic |
stereophonic acousmonium/loudspeakers |
04.20 |
op.099 |
|
1997 |
Lux tenebrae |
acousmatic |
stereophonic acousmonium/loudspeakers |
22.14 |
op.098 |
Compact Disc: Motus Acousma M199005
|
1997 |
Ebene Sieben |
acousmatic |
stereophonic acousmonium/loudspeakers |
25.40 |
op.097 |
Compact Disc: Motus Acousma M199005; dedicated to Karlheinz Stockhausen
|
1997 |
Le Petit oiseau va sortir |
acousmatic |
stereophonic acousmonium/loudspeakers |
14.00 |
op.096 |
|
1997 |
Le Mystère des tornades |
mixed/ensemble |
oboe, harp, viola, violoncello and stereophonic acousmonium/loudspeakers |
25.30 |
op.095 |
|
1997 |
Fanfare |
acousmatic |
octophonic acousmonium/loudspeakers |
06.41 |
op.094 |
|
1996 |
Variations sur un thème de François Bayle |
instrumental/ensemble |
piccolo |
03.00 |
op.093 |
|
1996 |
Trois transcriptions d’après Rameau |
instrumental/ensemble |
flute, oboe, clarinet, harp, piano, violin, viola and violoncello |
14.00 |
op.092 |
|
1996 |
Une abeille et une perle |
acousmatic |
stereophonic acousmonium/loudspeakers |
13.22 |
op.091 |
|
1996 |
Excusez-moi, je meurs |
instrumental/ensemble |
piano, percussion and violoncello |
06.30 |
op.090 |
from the cycle Fantaisies romantiques et baroques/Délicieux danger
|
1996 |
Nuage de Pierre |
acousmatic |
stereophonic acousmonium/loudspeakers |
05.05 |
op.089 |
from the cycle Fantaisies romantiques et baroques/Délicieux danger
|
1996 |
Bazar punaise |
acousmatic |
stereophonic acousmonium/loudspeakers |
41.26 |
op.088 |
text by Thomas Brando
|
1996 |
Elixir |
acousmatic |
stereophonic acousmonium/loudspeakers |
12.34 |
op.087 |
Compact Disc: Motus Acousma M303006
|
1995 |
Hélice |
acousmatic |
stereophonic acousmonium/loudspeakers |
11.58 |
op.086 |
Compact Disc: Motus Acousma M303006
|
1995 |
Exil |
acousmatic |
stereophonic acousmonium/loudspeakers |
12.39 |
op.085 |
Compact Disc: Motus Acousma M303006
|
1995 |
Litanie pour les vierges |
instrumental/choral |
2 treble choirs and 12 strings |
17.00 |
op.084 |
text by Thomas Brando
|
1995 |
Allégorie |
acousmatic |
stereophonic acousmonium/loudspeakers |
69.30 |
op.083 |
|
1995 |
Avalanche |
instrumental/solo |
piano |
51.00 |
op.082 |
dedicated to François-Michel Rignol
|
1995 |
Golgotha |
acousmatic |
stereophonic acousmonium/loudspeakers |
26.50 |
op.081 |
texts by Thomas Brando and Marc Jaffeux
|
1994 |
Offrande ou l’être achevé |
acousmatic |
stereophonic acousmonium/loudspeakers |
17.00 |
op.080 |
text by Thomas Brando
|
1993 |
Où est maintenant la forêt ? |
acousmatic |
stereophonic acousmonium/loudspeakers |
26.28 |
op.079 |
Compact Disc: Motus Acousma M197001
|
1993 |
Chrysalide |
acousmatic |
stereophonic acousmonium/loudspeakers |
29.05 |
op.078 |
Compact Disc: GRM Ina e5007
|
1993 |
Flèches |
acousmatic |
stereophonic acousmonium/loudspeakers |
26.00 |
op.077 |
text by Thomas Brando
|
1992 |
Ataraxie |
instrumental/ensemble |
2 recorder quartets and a recorder ensemble |
12.00 |
op.076 |
Compact Disc: MA 2005
|
1992 |
En effeuillant la marguerite |
instrumental/solo |
oboe |
15.00 |
op.075 |
text by Marc Jaffeux
|
1992 |
Archéoptéryx |
instrumental/ensemble |
flute, oboe, clarinet, saxophone, trombone, accordion and piano four hands |
13.00 |
op.074 |
|
1992 |
Cannibale |
instrumental/ensemble |
guitar and sampler with trigger |
07.00 |
op.073 |
|
1992 |
Souvenir de craie |
instrumental/ensemble |
flute, oboe, clarinet, saxophone, trombone, accordion and piano four hands |
04.00 |
op.072 |
from the cycle Fantaisies romantiques et baroques/Délicieux danger
|
1992 |
Collection de timbres |
mixed/solo |
organ and stereophonic acousmonium/loudspeakers |
25.00 |
op.071 |
text by Thomas Brando
|
1992 |
Salamandre |
instrumental/ensemble |
flute, oboe, clarinet, harp, violin and violoncello |
07.30 |
op.070 |
from the cycle Fantaisies romantiques et baroques/Marais
|
1991 |
Crapaud brillant |
instrumental/solo |
harpsichord |
08.00 |
op.069 |
from the cycle Fantaisies romantiques et baroques/Marais
|
1991 |
Légende |
acousmatic |
stereophonic acousmonium/loudspeakers |
25.45 |
op.068 |
|
1991 |
Charge maximale |
acousmatic |
stereophonic acousmonium/loudspeakers |
31.50 |
op.067 |
text by Thomas Brando
|
1991 |
Interruption |
instrumental/ensemble |
flute, synthesizer, violin, viola, violoncello, actor |
10.00 |
op.066 |
text by Thomas Brando
|
1991 |
Tom et la Licorne |
mixed/ensemble |
solo voices, vocal quartet, instrumental ensemble, stereophonic acousmonium/loudspeakers |
90.00 |
op.065 |
text by Thomas Brando
|
1991 |
Torrents du miroir |
instrumental/ensemble |
soprano, mezzo-soprano, counter-tenor, bass, flute, saxophone, horn, trumpet, trombone, violin and contrabass |
15.00 |
op.064 |
text by Thomas Brando; Compact Disc: ENM D03
|
1990 |
Duel |
instrumental/ensemble |
2 trumpets |
04.00 |
op.063 |
|
1990 |
Le Labyrinthe de l'amour /2 |
mixed/ensemble |
jazz ensemble and stereophonic acousmonium/loudspeakers |
21.00 |
op.062 |
|
1990 |
Alpage |
instrumental/solo |
electronic percussion |
09.00 |
op.061 |
text by Thomas Brando
|
1990 |
Chanson pensive |
instrumental/ensemble |
flute, bass flute, clarinet, basset horn, bass clarinet, viola and sampler |
20.00 |
op.060 |
|
1990 |
Hérisson cathédrale |
instrumental/ensemble |
flute, clarinet, violin, violoncello, piano, celesta and harpsichord |
19.00 |
op.059 |
|
1989 |
Cet été sur la plage (acousmatic version) |
acousmatic |
stereophonic acousmonium/loudspeakers |
12.00 |
op.058-b |
text by Thomas Brando, from the cycle Les Acousmalides
|
1989 |
Cet été sur la plage |
mixed/solo |
oboe and stereophonic acousmonium/loudspeakers |
12.00 |
op.058-a |
text by Thomas Brando
|
1989 |
Tu sa' ch'i' so |
instrumental/ensemble |
soprano, clarinet, violin, viola and violoncello |
19.00 |
op.057 |
text by Michelangelo
|
1989 |
Jeu délicieux |
instrumental/ensemble |
tenor and viola |
11.00 |
op.056 |
text by Denis Dufour
|
1989 |
Tulipe |
mixed/solo |
horn and stereophonic acousmonium/loudspeakers |
07.20 |
op.055 |
|
1989 |
Notre besoin de consolation est impossible à rassasier |
acousmatic |
stereophonic acousmonium/loudspeakers |
67.22 |
op.054 |
text by Stig Dagerman; voice of Thomas Brando; Compact Disc: GRM Ina c1010
|
1988 |
Noël toxique |
acousmatic |
stereophonic acousmonium/loudspeakers |
03.10 |
op.053 |
text by Thomas Brando
|
1988 |
Moirures éteintes de la galaxie (Cosmophonie) |
instrumental/ensemble |
clarinet, horn, percussion, violin, violoncello and 2 synthesizers |
20.00 |
op.052 |
from the cycle Fantaisies romantiques et baroques/Plis de perversion
|
1988 |
Grenouille écarlate |
instrumental/solo |
guitar |
08.00 |
op.051 |
from the cycle Fantaisies romantiques et baroques/Marais
|
1988 |
Douze mélodies acousmatiques |
acousmatic |
stereophonic acousmonium/loudspeakers |
25.41 |
op.050 |
Compact Disc: Motus Acousma M197002, dedicated to Michel Chion
|
1988 |
Etude pour synthétiseur |
instrumental/solo |
synthesizer |
03.30 |
op.049 |
|
1988 |
Drapé de peaux de bêtes sur le corps des héros (L'Homme au masque de craie) |
instrumental/orchestral |
mezzo-soprano and orchestra |
20.00 |
op.048 |
text by Thomas Brando, from the cycle Fantaisies romantiques et baroques/Plis de perversion
|
1987 |
Nuit d'hiver |
instrumental/ensemble |
oboe, clarinet, horn, trombone, glockenspiel, harp and 2 violoncellos |
14.00 |
op.047-b |
|
1987 |
Nuit d'hiver |
instrumental/ensemble |
oboe, clarinet, horn, trombone, glockenspiel, harp, 2 violoncellos and narrator |
14.00 |
op.047-a |
text by Dominique Dubreuil
|
1987 |
Messe à l'usage des vieillards |
acousmatic |
quadriphonic acousmonium/loudspeakers |
32.50 |
op.046 |
text by Thomas Brando; Compact Disc: Accord UnaCorda 202222
|
1987 |
Musique à coudre |
acousmatic |
stereophonic acousmonium/loudspeakers |
41.30 |
op.045 |
co-composed with Brigitte Gardet
|
1986 |
Messe à l'usage des enfants |
acousmatic |
quadriphonic acousmonium/loudspeakers |
30.35 |
op.044 |
text by Thomas Brando
|
1986 |
Tandem oblique |
instrumental/ensemble |
flute and piano |
14.00 |
op.043 |
Compact Disc: Motus Aujourd’hui M298004
|
1986 |
Psaume d'Adam |
acousmatic |
stereophonic acousmonium/loudspeakers |
10.45 |
op.042 |
text by Thomas Brando, from the cycle Les Acousmalides
|
1986 |
Deux cartes postales |
acousmatic |
stereophonic acousmonium/loudspeakers |
08.35 |
op.041 |
|
1986 |
Exactement le contraire |
multimedia |
ballet and stereophonic acousmonium/loudspeakers |
69.00 |
op.040 |
|
1985 |
Le Pistolet d'or |
instrumental/ensemble |
2 violins, 2 violas and 2 violoncellos |
23.00 |
op.039 |
|
1985 |
Fantaisie soluble |
instrumental/ensemble |
clarinet, horn, percussion, violin, violoncello and 2 synthesizers |
14.00 |
op.038 |
|
1985 |
Froncement des yeux de ton beau visage (1e lettre à Pinocchio) |
instrumental/ensemble |
violin, violoncello and synthesizer |
15.00 |
op.037 |
from the cycle Fantaisies romantiques et baroques/Plis de perversion
|
1985 |
La Cour des immortels du désir |
multimedia |
ballet and stereophonic acousmonium/loudspeakers |
71.05 |
op.036 |
|
1984 |
Le Labyrinthe de l'amour /1 |
acousmatic |
stereophonic acousmonium/loudspeakers |
03.35 |
op.035 |
Compact Disc: Licences
|
1984 |
Paysage |
mixed/solo |
violoncello and stereophonic acousmonium/loudspeakers |
03.30 |
op.034 |
|
1984 |
Ourlé du lac à la première goutte de pluie (Pli de perversion /2) |
instrumental/ensemble |
violin, synthesizer and real time transformation device |
14.00 |
op.033 |
from the cycle Fantaisies romantiques et baroques/Plis de perversion; Compact Disc: GRM Ina c1034
|
1984 |
Quatuor “Non parmi les anges” |
instrumental/ensemble |
soprano, violin, viola and violoncello |
05.10 |
op.032 |
text by Thomas Brando, from the cycle Le Plaisir des chants difficiles
|
1984 |
Dix portraits |
acousmatic |
stereophonic acousmonium/loudspeakers |
38.20 |
op.031-b |
Compact Disc: Motus Acousma M197002
|
1984 |
Dix portraits |
mixed/ensemble |
3 synthesizers and stereophonic acousmonium/loudspeakers |
40.00 |
op.031-a |
|
1983 |
Colloque |
acousmatic |
stereophonic acousmonium/loudspeakers |
15.07 |
op.030 |
|
1983 |
Six mélodies |
instrumental/ensemble |
soprano and piano |
11.00 |
op.029 |
text by Jean-Christophe Thomas
|
1983 |
Vendredi, jour de liberté |
multimedia |
drama and stereophonic acousmonium/loudspeakers |
25.15 |
op.028 |
|
1983 |
Suite bleue |
acousmatic |
stereophonic acousmonium/loudspeakers |
19.20 |
op.027 |
Compact Disc: Accord UnaCorda 202222
|
1983 |
Le Lis vert |
acousmatic |
stereophonic acousmonium/loudspeakers |
37.00 |
op.026 |
Compact Disc: Motus Acousma M306011
|
1982 |
Entre dames |
acousmatic |
stereophonic acousmonium/loudspeakers |
19.30 |
op.025 |
|
1982 |
Lèvres serviles |
instrumental/choral |
female choir |
20.00 |
op.024 |
|
1982 |
Rêve lisse |
instrumental/ensemble |
violin and 2 synthesizers |
12.00 |
op.023 |
Compact Disc: GRM Ina 9115/9116
|
1981 |
Suite en trois mouvements |
acousmatic |
stereophonic acousmonium/loudspeakers |
21.13 |
op.022 |
Compact Disc: Motus Acousma M303006
|
1981 |
Dune |
instrumental/ensemble |
2 flutes |
08.30 |
op.021 |
|
1980 |
La Galerie |
mixed/ensemble |
3 sounding bodies, 3 synthesizers and stereophonic acousmonium/loudspeakers |
46.30 |
op.020 |
|
1980 |
L'Apocalypse d'Angers |
mixed/solo |
narrator and stereophonic acousmonium/loudspeakers |
50.30 |
op.019-b |
text selected by Benjamin Duvshani from the Apocalypse of John
|
1980 |
L'Apocalypse d'Angers |
acousmatic |
stereophonic acousmonium/loudspeakers |
50.30 |
op.019-a |
text selected by Benjamin Duvshani from the Apocalypse of John; voice of Benjamin Duvshani
|
1980 |
J.a.ch.H.16 |
mixed/ensemble |
3 synthesizers |
18.45 |
op.018 |
|
1979 |
La Douceur a des cils |
instrumental/ensemble |
soprano, alto, tenor, bass |
18.30 |
op.017 |
text by Michel Vincent
|
1979 |
Un petit qui t'aime |
mixed/ensemble |
3 percussionists and stereophonic acousmonium/loudspeakers |
15.30 |
op.016 |
|
1979 |
Rond de jambe |
acousmatic |
stereophonic acousmonium/loudspeakers |
08.05 |
op.015 |
|
1979 |
Le Cercle dans tous ses états |
multimedia |
ballet and stereophonic acousmonium/loudspeakers |
55.30 |
op.014 |
|
1979 |
Cueillir à l'arbre un petit garçon |
instrumental/ensemble |
saxophone, synthesizer and real time transformation device |
14.00 |
op.013 |
|
1979 |
Je voulais parler des oiseaux |
mixed/ensemble |
soprano, guitar and stereophonic acousmonium/loudspeakers |
40.00 |
op.012 |
text by Jean-Christophe Thomas and Denis Dufour
|
1978 |
Velours des dunes infoulées (Pli de perversion /1) |
instrumental/ensemble |
string instrument and synthesizer |
11.00 |
op.011 |
from the cycle Fantaisies romantiques et baroques/Plis de perversion
|
1978 |
Souvenir de Pierre |
instrumental/ensemble |
any 3 or more instruments |
05.00 |
op.010 |
from the cycle Fantaisies romantiques et baroques/Délicieux danger
|
1978 |
Trio |
instrumental/ensemble |
violin, mandolin, synthesizer and real time transformation device |
14.00 |
op.009 |
|
1978 |
Bocalises, grande suite |
acousmatic |
stereophonic acousmonium/loudspeakers |
36.43 |
op.008 |
Compact Disc: Motus Acousma M306011
|
1977 |
Bocalises, petite suite |
acousmatic |
stereophonic acousmonium/loudspeakers |
19.02 |
op.007 |
Compact Discs: Accord UnaCorda 202222; Eferp 97-2; GRM Ina c1000
|
1977 |
Concerto |
instrumental/orchestral |
violin and orchestra |
18.00 |
op.006 |
|
1977 |
Boucles |
instrumental/solo |
10 string guitar |
05.00 |
op.005 |
|
1977 |
Objet-danse |
multimedia |
ballet and stereophonic acousmonium/loudspeakers |
93.00 |
op.004 |
|
1977 |
Le Crin s'ébruite |
instrumental/ensemble |
viola and percussion |
16.00 |
op.003 |
|
1977 |
En sursaut |
instrumental/ensemble |
soprano and viola |
10.00 |
op.002 |
text by Denis Dufour
|
1976 |
Etude de composition /1 |
acousmatic |
stereophonic acousmonium/loudspeakers |
04.46 |
op.001 |
|