David Lawrence Levinthal (born March 8, 1949) is an American photographer who lives and works in New York City. He uses small toys and props with dramatic lighting to construct miniature environments for subject matters varying from war scenes to voyeurism to racial and political references to American pop culture.[1]
Levinthal's major series include Hitler Moves East (1972–1975), Modern Romance (1983–1985), Wild West (1986–1989), Desire (1991–1992), Blackface (1995–1998), Barbie (1997–1998), Baseball (1998–2004), and History (2010–2018).
Levinthal has produced a diverse oeuvre, utilizing primarily large-format Polaroid photography.[6] His works touch upon many aspects of American culture, from Barbie to baseball to X-rated dolls. Levinthal's major series include Hitler Moves East (1972–1975), Modern Romance (1983–1985), Wild West (1986–1989), Desire (1991–1992), Blackface (1995–1998), Barbie (1997–1998), Baseball (1998–2004), and History (2010–2018).[7]
His politically charged series, Blackface, consists of close-ups of black memorabilia, household objects infused with African-American stereotypes, and caused such a controversy that the Institute of Contemporary Art of Philadelphia was forced to cancel the exhibition while still in its early planning stages.[4]
On his use of toys, Levinthal said that "Toys are intriguing, and I want to see what I can do with them. On a deeper level, they represent one way that society socializes its young."[8] Furthermore, Levinthal is aware of the power of toys: “Ever since I began working with toys, I have been intrigued with the idea that these seemingly benign objects could take on such incredible power and personality simply by the way they were photographed. I began to realize that by carefully selecting the depth of field and making it narrow, I could create a sense of movement and reality that was in fact not there.[9]
Books
David Levinthal in 2022
Hitler Moves East: A Graphic Chronicle, 1941–43 (Sheed, Andrews & McMeel, 1977). Published with Garry Trudeau.
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