The Dakar School (French: École de Dakar, lit. 'School of Dakar') is an art movement born in Senegal at the dawn of independence, between 1960 and 1974. It was supported by the first Senegalese President Léopold Sédar Senghor, and worked within the framework of the larger cultural movement of Négritude from the 1930s. The three teachers that were the foundering members of this art movement included Papa Ibra Tall, Iba N'Diaye, and Pierre Lods.[1]
History
Senegalese President Léopold Sédar Senghor was the first art critic of French-speaking Black Africa, which started with his first publication on the matter in 1956.[2] In his early years of office starting in 1960, Senghor created the Grand National Theater of Dakar (French: Grand Théâtre National de Dakar), the National Tapestry Manufacturers in Thiès [fr] (French: Manufacture Nationale de Tapisserie de Thiès), and the École Nationale des Beaux Arts (it merged in 1995 and now National School of Arts, Senegal [fr]) in Dakar.[3][4][5]
Under the paternalism of Senghor, the Dakar School was formed in September 1960 and its approach aimed to form a globalized contemporary art in Senegal.[6][7][2] It had retrofitted the ideas from Senghor's Black nationalist movement called Négritude (founded in the 1930s),[6] to demonstrate that the Black Africans were capable of creating beauty, but based on the model of Western contemporary art. The movement favored warm colors, figurative and abstract representations with references to African aesthetics and mythologies.[8]
The National Tapestry Manufacturers in Thiès [fr] tapestry weaving facility in the city of Thiès founded in 1966 by Papa Ibra Tall.[9] National Tapestry Manufacturers in Thiès was a government sponsored and supported by Senghor, and many of the Dakar School artist were involved with their work.[9]
^ abcAbdou, Sylla (July 2002). "Hommage à L. S. Senghor" [Tribute to LS Senghor]. Ethiopiques no. 69 (in French). Archived from the original on 17 November 2018 – via Wikiwix.