D. H. Turner
Turner escorting Queen Elizabeth II around the exhibition "The Golden Age of Anglo-Saxon Art" in 1985
Born	Derek Howard Turner (1931-05-15)15 May 1931 Northampton, England
Died	1 August 1985(1985-08-01) (aged 54)
Nationality	English
Occupation(s)	Curator; art historian
Years active	1956–1985
Known for	Studies of liturgy and illuminated manuscripts

Derek Howard Turner (15 May 1931 – 1 August 1985) was an English museum curator and art historian who specialised in liturgical studies and illuminated manuscripts. He worked at the British Museum and the British Library from 1956 until his death, focusing on exhibitions, scholarship, and loans.

Following several years spent at a hospital and at an Anglican Benedictine abbey, Turner found employment in the British Museum's Department of Manuscripts at the age of 25. Serving first as assistant keeper, and later as deputy keeper, within two years of his hiring he helped the museum select manuscripts for purchase from the Dyson Perrins collection and organised his first exhibition; in the 1960s he also took teaching posts at the Universities of Cambridge and East Anglia.

Turner moved to the British Library when custodianship of the museum's library elements changed in 1973. At the library, he helped oversee several major exhibitions, and organise the international loans of significant works. He was closely involved with the lending of a copy of Magna Carta for the 1976 United States Bicentennial celebrations, and in succeeding years helped arrange the loans of several medieval manuscripts for the first time in half a millennium. Two such loans sent the Gospels of Tsar Ivan Alexander to Bulgaria for the first time since the 1300s, and the Moutier-Grandval Bible to Switzerland, its home throughout the Middle Ages.

Turner was born on 15 May 1931 in Northampton, in central England.^[1] An only child, he was born to the World War I veteran Maurice Finnemore Turner and his wife Eva (née Howard).^[1] After attending Winchester House School in Brackley, in the summer of 1945 Turner was sent on scholarship to Harrow.^[1] In 1950, a Harrow scholarship to read modern history sent him to Hertford College at the University of Oxford; he graduated in the summer of 1953.^[1]

Before his employment at the British Museum, Turner worked at a hospital, and spent time at the Anglican Benedictine abbey Nashdom.^[1] There he both studied and practised liturgy, and met the medieval music specialist Dom Anselm Hughes.^[1][2][3]

Turner began work as an assistant keeper of the Department of Manuscripts at the British Museum on 3 December 1956.^[1] Influenced by his time at Nashdom, he specialised in medieval liturgical studies, and influenced by the lavish decoration of liturgical manuscripts, he likewise studied illuminated manuscripts.^[1]

In 1958, Turner organised his first exhibition, showcasing a collection of Byzantine manuscripts.^[1] The same year he helped the museum select illuminated manuscripts to purchase from the collection of Charles William Dyson Perrins, before it was offered publicly. The museum acquired ten of the collection's 154 manuscripts, including two bequests by Perrins, and eight purchases at a collective and below-market £37,250 (equivalent to £1,099,000 in 2023).^[4] These included the Gorleston Psalter, the Khamsa of Nizami, and the book of hours by William de Brailes,^[4] and were the subject of a paper by Turner the following year.^[1][5] Upon the December 1960 resignation of Julian Brown, a co-author of the paper who left for the chair of palaeography at King's College London, Turner assumed responsibility for the museum's collection of illustrated manuscripts.^[6]

In his new role heading the collection of illustrated manuscripts, Turner focused on scholarship.^[7] His resulting publications ranged from those that his colleagues described as "extremely erudite", to those aimed at a popular audience.^[7] In 1965 alone, Turner published four books: Early Gothic Illuminated Manuscripts in England,^[8] the fifth volume of the British Museum's Reproductions from Illuminated Manuscripts^[9] (highlighting acquisitions made since the 1928 fourth volume^[10]), English Book illustration, 966–1846 (timed to coincide with the Fourth International Congress of Bibliophiles),^[11] and Reichenau Reconsidered: a Re-assessment of the Place of Reichenau in Ottonian Art,^[12] He followed up the first book with Romanesque Illuminated Manuscripts in the British Museum in 1966,^[13] with both becoming standard introductions to their subjects.^[7] Reichenau Reconsidered, meanwhile, analysed a set of exceptional manuscripts (including the Codex Egberti, Egbert Psalter, and Poussay Gospels) and questioned their traditional attribution as coming from a scriptorium at Reichenau Abbey.^[14] If the analysis was not conclusive,^[15][16] it was reviewed as a "far-reaching perusal" that "demands that medievalists rethink their positions on the controversy".^[17]

In the mid 1960s, Turner began teaching art history part-time at the Universities of Cambridge and East Anglia, repurposing as teaching material his recent works on English Gothic and European Romanesque illumination.^[7] He also undertook the chairmanship of two organisations involved with liturgical studies: the Plainsong and Medieval Music Society in 1964, and the Henry Bradshaw Society in 1967.^[7] In 1971, Turner helped secure the Anderson Pontifical for the museum's collection, after it was discovered in the stables of Brodie Castle the previous year and placed for sale at Sotheby's.^[18][19] He was promoted to deputy keeper in 1972, following the retirements of the keeper Theodore Cressy Skeat and the senior deputy keeper Cyril Ernest Wright.^[7]

A year after Turner's promotion to deputy keeper, the Department of Manuscripts was subsumed into the British Library, and he with it; subsequently his role shifted to the curation of exhibitions, and to responsibility for loans from the collection of manuscripts.^[20] In the former role Turner helped oversee three major exhibitions: The Christian Orient in 1978, The Benedictines in Britain in 1980, and, with Janet Backhouse and Leslie Webster,^[21] The Golden Age of Anglo-Saxon Art in 1984.^[7] Turner helped write exhibition catalogues for the latter two.^[21][22][23] The Benedictines in Britain, attended by the leader of each of the country's Benedictine communities, "allowed him", his colleagues wrote, "to give full rein to one of his favourite pastimes, creating a guest list on which every style and title should appear with absolute accuracy. He spent many happy hours in the bookstacks, consulting directories in pursuit of this perfection!"^[7] Turner also inspired the 1983 exhibition Renaissance Painting in Manuscripts: Treasures from the British Library, shown at the J. Paul Getty Museum in Malibu and the Pierpont Morgan Library in New York, before coming to London.^[24][25]

Turner was also responsible for facilitating the international loans of important manuscripts.^[24] In the process he enjoyed interacting with the Foreign and Commonwealth Office—and poring over abstruse indemnity arrangements—leading to the loan of a copy of Magna Carta to Washington, D.C. for the 1976 United States Bicentennial celebrations.^[24] The copy, the oldest of the four surviving, spent a year in the United States Capitol, where it was viewed by dignitaries including Queen Elizabeth II and Lord Elwyn-Jones.^[26][27] Turner, for his part, maintained a lifelong refusal to cross the Atlantic.^[24] The following year, he helped lend the Gospels of Tsar Ivan Alexander to Sofia, Bulgaria, where it received national publicity; it had last been in the country in the fourteenth century.^[24] In 1979 he helped lend the Leningrad Bede to the Bede Monastery Museum in Jarrow and to Bloomsbury, and in 1981 Turner saw the Moutier-Granval Bible return to Jura, Switzerland, its home throughout the Middle Ages.^[24]

Turner was described in The Times as "[a]n intensely sensitive spirit, ... for whom living was no easy matter";^[28] colleagues remembered him as "a memorable—if unpredictable—character".^[1] An only child unused to close-knit family life, he enjoyed the company of those a generation or profession removed from him over that of his peers and contemporaries.^[29] Learning that the son of a commuting acquaintance was interested in Anglo-Saxon literature, Turner invited the two to the library to handle the Beowulf manuscripts,^[29] but among colleagues he had "a not undeserved reputation for being difficult and could chill the blood of the more timid".^[30] He nevertheless shared a close working relationship with Janet Backhouse, also of the British Museum and later Library, and introduced her to the exhibition and loans of manuscripts.^[30]

The unexpected death of his mother in 1966–1967, and his father's subsequent move into a nursing home, precipitated what Backhouse termed a "radical change" in Turner's life.^[31] He moved from his bedsitter by Kew Gardens to his parents' flat in Henley-on-Thames, his dress became flamboyant, and his published output declined.^[31] Much of his social interaction came at the museum and library; once offered several months' leave by the keeper of manuscripts Daniel Waley to work on a Yates Thompson manuscript catalogue, which Turner thought could be his magnum opus, he nevertheless declined, lest he sacrifice his daily interactions with colleagues.^[32]

Turner died suddenly on 1 August 1985.^[1] Obituaries were published in The Times,^[28] and in a special issue of The British Library Journal, featuring contributions related to his own range of interests.^[1] Various studies were also published in his memory,^[33][34] including "The Text of the Benedictional of St Æthelwold", a paper begun by Turner and finished by Andrew Prescott, then of the British Library.^[35]

Turner published widely, beginning soon after his employment at the British Museum.^[1] After his promotion to deputy keeper his output dwindled, and primarily focused on current exhibitions and recent acquisitions.^[31] Such later publications included a facsimile of the Hastings Hours,^[36] one of the library's greatest Flemish manuscripts, which was bequeathed to the collection under his watch.^[25] With the work "almost ignored previously", one reviewer wrote, Turner's facsimile was "stunning visually and always interesting";^[37] another described a "brilliant introduction" that focused on history rather than art criticism.^[38]

• Turner, Derek H. (1962). The Missal of the New Minster, Winchester (Le Harve, Bibliothèque municipale, ms. 330). Henry Bradshaw Society Publications. Vol. XCIII. London: Faith Press. OCLC 648161298.
• Turner, Derek H. (1965a). Early Gothic Illuminated Manuscripts in England. London: Trustees of the British Museum. OCLC 504731321.
• Turner, Derek H. (1965b). Reproductions from Illuminated Manuscripts. Series V. London: Trustees of the British Museum.
• Turner, Derek H. & Scheele, Margaret (1965). English Book illustration, 966–1846. London: Trustees of the British Museum. OCLC 1128384496.
• Dodwell, Charles R. & Turner, Derek H. (1965). Reichenau Reconsidered: a Re-assessment of the Place of Reichenau in Ottonian Art. Warburg Institute Surveys. Vol. 2. London: The Warburg Institute. OCLC 811368428.
• Turner, Derek H. (1966). Romanesque Illuminated Manuscripts in the British Museum. London: Trustees of the British Museum. OCLC 838733370.
• Turner, Derek H. (1967). Illuminated Manuscripts Exhibited in the Grenville Library. London: Trustees of the British Museum. OCLC 1082985453.
• Turner, Derek H. (1971). The Claudius Pontificals: (from Cotton MS. Claudius A. iii in the British Museum). Henry Bradshaw Society Publications. Vol. XCVII. London: Henry Bradshaw Society. ISBN 0-9501009-2-7.
• Turner, Derek H.; Stockdale, Rachel; Jebb, Dom P. & Rogers, David, eds. (1980). The Benedictines in Britain. London: British Library. ISBN 0-904654-47-8.
• Turner, Derek H. (1983a). The Hastings Hours: A 15th-Century Flemish Book of Hours made for William, Lord Hastings, now in the British Library, London. London: Thames & Hudson. LCCN 82-074548.
• Backhouse, Janet; Turner, Derek H. & Webster, Leslie, eds. (1984). The Golden Age of Anglo-Saxon Art, 966–1066. London: British Museum Publications. ISBN 978-0-7141-0532-1.

• Turner, Derek H. (1959). "An Early Thirteenth Century Premonstratensian Gradual". Analecta Praemonstratensia. XXXV (3–4): 193–197.
• Turner, Derek H. (1960). "The Crowland Gradual: An English Benedictine Manuscript". Ephemerides Liturgicae. LXXIV: 168–174. ISSN 0013-9505.
• Turner, Derek H. (1960). "The Prayer-book of Archbishop Arnulph II of Milan". Revue Bénédictine. LXX (2). Maredsous Abbey: 360–392. doi:10.1484/J.RB.4.00421. ISSN 0035-0893.
• Brown, Thomas J.; Meredith-Owens, Glyn M. & Turner, Derek H. (January 1961). "Manuscripts from the Dyson Perrins Collection". The British Museum Quarterly. XXIII (2). British Museum: 27–38. doi:10.2307/4422661. JSTOR 4422661.
• Turner, Derek H. (1962). "The Bedford Hours and Psalter". Apollo. LXXVI: 265–270. ISSN 0003-6536.
• Turner, Derek H. (March 1962). "The 'Ǒdalricus Peccator' Manuscript in the British Museum". The British Museum Quarterly. XXV (1–2). British Museum: 11–16. doi:10.2307/4422728. JSTOR 4422728.
• Turner, Derek H. (1962). "A Twelfth Century Psalter from Camaldoli". Revue Bénédictine. LXXII (1–2). Maredsous Abbey: 109–130. doi:10.1484/J.RB.4.01566. ISSN 0035-0893.
• Turner, Derek H. (1962). "The Siegburg Lectionary". Scriptorium. XVI: 16–27. doi:10.3406/scrip.1962.3109.
• Turner, Derek H. (Autumn 1964). "The Penwortham Breviary". The British Museum Quarterly. XXVIII (3–4). British Museum: 85–88. doi:10.2307/4422861. JSTOR 4422861.
• Turner, Derek H. (1964). "The Evesham Psalter". Journal of the Warburg and Courtauld Institutes. XXVII. The Warburg Institute: 23–41. doi:10.2307/750510. JSTOR 750510. S2CID 192395425.
• Turner, Derek H. (Summer 1965). "Illumination from the School of Niccolò da Bologna". The British Museum Quarterly. XXIX (3–4). British Museum: 84–89. doi:10.2307/4422897. JSTOR 4422897.
• Turner, Derek H. (1965). "The 'Reichenau' Sacramentaries at Zurich and Oxford". Revue Bénédictine. LXXV (3–4). Maredsous Abbey: 240–276. doi:10.1484/J.RB.4.00635. ISSN 0035-0893.
• Turner, Derek H. (Spring 1966). "From the Library of Eric George Millar". The British Museum Quarterly. XXX (3–4). British Museum: 80–88. doi:10.2307/4422931. JSTOR 4422931.
• Turner, Derek H. (Autumn 1968). "A Bibliography of Eric Millar". The British Museum Quarterly. XXXIII (1–2). British Museum: 7–16. JSTOR 4423014.
• Turner, Derek H.; Borrie, Michael A. F.; Blackhouse, Janet & Stratford, Jenny (Autumn 1968). "The Eric Millar Bequest to the Department of Manuscripts". The British Museum Quarterly. XXXIII (1–2). British Museum: 16–52. doi:10.2307/4423015. JSTOR 4423015.
• Turner, Derek H. (Autumn 1968). "The Development of Maître Honoré". The British Museum Quarterly. XXXIII (1–2). British Museum: 53–65. JSTOR 4423016.
• Turner, Derek H. (Autumn 1969). "Two Rediscovered Miniatures of the Oscott Psalter". The British Museum Quarterly. XXXIV (1–2). British Museum: 10–19. doi:10.2307/4423038. JSTOR 4423038.
• Turner, Derek H. (1971). "Sacramentaries of Saint Gall in the Tenth and Eleventh Centuries". Revue Bénédictine. LXXXI (3–4). Maredsous Abbey: 186–215. doi:10.1484/J.RB.4.00768. ISSN 0035-0893.
• Brown, Thomas J. & Turner, Derek H. (May 1972). "Francis Wormald, 1904–72". Bulletin of the Institute of Historical Research. XLV (111). Institute of Historical Research: 1–6. doi:10.1111/j.1468-2281.1972.tb01447.x. ISSN 0041-9761.
• Turner, Derek H. (October 1973). "Principal Byzantine Illuminated Manuscripts in the British Library". The British Museum Society Bulletin (14). British Museum Society: 10–13.
• Turner, Derek H. (Spring 1976). "The Wyndham Payne Crucifixion" (PDF). The British Library Journal. 2 (1). London: British Library: 8–26.
• Turner, Derek H. (April 1976). "The Customary of the Shrine of St Thomas Becket". The Canterbury Chronicle (70). The Friends of Canterbury Cathedral: 16–22.
• Turner, Derek H. (1984). "The Rutland Psalter". National Art-Collections Fund Review: 94–97.
• Turner, Derek H. (December 1984). "The Anglo-Saxon Achievement". History Today. XXXIV (12): 58–59. ISSN 0018-2753.

• Turner, Derek H. (1961). "Note on the Music". In Ullmann, Walter (ed.). Liber Regie Capelle: A Manuscript in the Biblioteca Publica, Evora. Henry Bradshaw Society Publications. Vol. XCII. Cambridge: Cambridge University Press. pp. 47–51.
• Turner, Derek H. (1962). "A 10th–11th Century Noyon Sacramentary". In Cross, Frank L. (ed.). Studia Patristica: Papers Presented to the Third International Conference on Patristic Studies Held at Christ Church, Oxford, 1959. Vol. V. Berlin: Akademie Verlag. pp. 143–151.
• Turner, Derek H. (1970). "Manuscript Illumination". In Deuchler, Florens (ed.). The Year 1200. Vol. II. New York: Metropolitan Museum of Art. pp. 133–139.
• Turner, Derek H. (1978). "The Orthodox Church". The Christian Orient: An Exhibition in the King's Library from 5 July to 24 September 1978. London: British Museum Publications. pp. 13–21. ISBN 0-7141-0666-6.
• Turner, Derek H. (1980). "Hughes, Anselm". In Sadie, Stanley (ed.). The New Grove Dictionary of Music and Musicians. Vol. VIII. London: Macmillan. pp. 765–766. ISBN 0-333-23111-2.
• Turner, Derek H. (1981). "Customary of the Shrine of St Thomas Becket, Canterbury 1428". In de Hamel, Christopher & Linenthal, Richard A. (eds.). Fine Books and Book Collecting: Books and Manuscripts Acquired from Alan G. Thomas and Described by his Customers on the Occasion of his Seventieth Birthday. Leamington Spa: J. Hall. pp. 20–21. ISBN 0-333-23111-2.
• Turner, Derek H. (1981). "La Bible de Moutier-Grandval et la Grande Bretagne". Jura, Treize Siècles de Divilisation Chrétienne: Le Livre de L'exposition. Delémont, du 16 Mai au 20 Sept. 1981. Delémont: Musée Jurassien d'Art et d'Histoire. pp. 38–39.
• Turner, Derek H. (1983b). "Introduction". In Kren, Thomas & Backhouse, Janet (eds.). Renaissance Painting in Manuscripts: Treasures from the British Library. London: British Library, Reference Division Publications. pp. ix–xii. ISBN 0-933920-51-2.

• "Add MS 57337". Digitised Manuscripts. British Library. 24 July 2019. Retrieved 14 September 2021.
• Alexander, J. J. G. (1968). "Review of Reichenau Reconsidered: a Re-assessment of the Place of Reichenau in Ottonian Art". Medium Ævum. CXXXVII (1). Oxford: The Society for the Study of Mediæval Languages and Literature: 100–102. doi:10.2307/43627411. JSTOR 43627411.
• Backhouse, Janet (February 1967). "The Literature of Art: Reichenau Illumination, Facts and Fictions". The Burlington Magazine. CIX (767). London: 98–100. JSTOR 875222.
• Backhouse, Janet & Jones, Shelley (Autumn 1987). "D. H. Turner (1931–1985): A Portrait" (PDF). The British Library Journal. 13 (1). London: British Library: 111–117. Archived from the original (PDF) on 22 February 2015. Retrieved 22 April 2018.
• Brinkmann, Bodo (Spring 1988). "The Hastings Hours and the Master of 1499". The British Library Journal. 14 (1). London: British Library: 90–106. JSTOR 42554038.
• Charlton, Linda (9 July 1976). "Queen Turns the Tables and Entertains Hundreds in Washington". The New York Times. Vol. CXXV, no. 43, 266. New York. p. A3. Archived from the original on 22 September 2021. Retrieved 22 September 2021.
• Cotter, James Finn (Summer 1984). "Illuminated Books". The Hudson Review. XXXVII (2). New York: The Hudson Review, Inc.: 295–300. doi:10.2307/3850938. JSTOR 3850938.
• Hartzell, Karl Drew (1989). "An eleventh-century English missal fragment in the British Library". Anglo-Saxon England. 18. Cambridge: Cambridge University Press: 45–97. doi:10.1017/S0263675100001447. JSTOR 44510851.
• Heimann, Adelheid (March 1967). "The Literature of Art: Review of Reproductions from Illuminated Manuscripts. Series V". The Burlington Magazine. CIX (768). London: 178. JSTOR 875196.
• "Janet Backhouse: Scholar at the British Museum Who Brought the World of Illuminated Medieval Manuscripts to a Wider Public". Obituaries. The Times. No. 68270. London. 29 December 2004. p. 43.

• Also published online.

• Kren, Thomas (Autumn 1996). "Some Newly Discovered Miniatures by Simon Marmion and his Workshop" (PDF). The British Library Journal. 22 (2). London: British Library: 193–220. JSTOR 42554431.
• Lynch, Joseph (January 1982). "Review of The Benedictines in Britain". The Catholic Historical Review. LXVIII (1). Washington, D.C.: The Catholic University of America Press: 114–115. JSTOR 25021305.
• Madden, Richard L. (4 June 1976). "British Lend Magna Carta to Ex-Colony". The New York Times. Vol. CXXV, no. 43, 231. New York. pp. A1, A10. Archived from the original on 22 September 2021. Retrieved 22 September 2021.
• "Mr. D. H. Turner". Obituary. The Times. No. 62215. London. 13 August 1985. p. 12.
• Powell, Katherine B. (1971). "Observations on a Number of Liuthar Manuscripts". Journal of the Warburg and Courtauld Institutes. 34. London: The Warburg Institute: 1–11. doi:10.2307/751012. JSTOR 751012. S2CID 195058349.
• Prescott, Andrew (Autumn 1987). "The Structure of English Pre-Conquest Benedictionals" (PDF). The British Library Journal. 13 (2). London: British Library: 118–158. JSTOR 42554260.
• Prescott, Andrew (1988). "The Text of the Benedictional of St Æthelwold". In Yorke, Barbara (ed.). Bishop Æthelwold: His Career and Influence. Woodbridge: The Boydell Press. pp. 119–147. ISBN 0-85115-484-0. LCCN 87-26882.
• Slonimsky, Nicolas; Kuhn, Laura & McIntire, Dennis (2001). "Hughes, Dom Anselm". In Slonimsky, Nicolas & Kuhn, Laura (eds.). Baker's Biographical Dictionary of Musicians. Vol. 3 (Centennial ed.). New York City: Schirmer Books. p. 1636. ISBN 0-02-865528-1.