It is the work of an Attic workshop, around 480–470 BC. Scholars have suggested Euphronios or Onesimos as the painter, or described it as in the manner of the Pistoxenos Painter.[2] The scene depicted evokes the verse from the second hymn to Apollo found inscribed on the southern wall of the Treasury of the Athenians: "Sing for the gold-haired Pythios who aims far with his bow and arrow and plays nicely the lyre".
Description
The whole bowl, from above
Inside the cylix Apollo is depicted with an elaborate hairdo and a laurel wreath on his head, sitting on a chair, the legs of which end up in lion's paws. The god wears a white chiton, a red himation (cloak) and sandals. A seven-stringed lyre is attached to his left hand with a red stripe, whereas with his right hand he pours a libation out of a shallow bowl (patera) decorated with patterns in relief. Opposite the god is a black bird, for which several explanations have been offered: it is identified either as an oracular bird or as a crow which brought to Apollo the message that his beloved Koronis, daughter of king Phlegyas, was getting married.
References
^Apollo wearing a laurel or myrtle wreath, a white peplos and a red himation and sandals, seating on a lion-pawed diphros; he holds a kithara in his left hand and pours a libation with his right hand. Facing him, a black bird identified as a pigeon, a jackdaw, a crow (which may allude to his love affair with Coronis) or a raven (a mantic bird). Tondo of an Attic white-ground kylix attributed to the Pistoxenos Painter (or the Berlin Painter, or Onesimos). Diam. 18 cm (7 in.)
