Club Nouveau (/nuːvoʊ/) is an American R&B group formed by record producer/performer Jay King in 1986 in Sacramento, California, following the breakup of the Timex Social Club.[2] The group's name (French for "Club New") was changed from its original incarnation, "Jet Set", to capitalize on the breakup. The group was signed by Warner Bros. Records, on which Club Nouveau released its first three albums. Club Nouveau's go-go version of Bill Withers's song "Lean on Me" won a Grammy award for Best R&B Song in 1987.[3]
The group's original lineup consisted of Jay King, Valerie Watson, Samuelle Prater, Denzil Foster, and Thomas McElroy.[2] Foster and McElroy soon left to form their own production team and focus on working with other acts. Prater, who had performed lead vocals on "Lean on Me," eventually left as well[4] to pursue a solo career but reunited with the group in 2009.
The group's next albums — beginning with Listen to the Message — were laced with an evolving social consciousness.[5] Notable recordings include "You Ain't No Friend of Mine" from Under A Nouveau Groove; a dancehall-influenced version of the Gospel classic "Oh, Happy Day," from A New Beginning; "Let It Go" from Everything Is Black; and "What Kind of Love" from The Collection Volume I. The group also recorded "Step by Step" for the Who's That Girl soundtrack.
Club Nouveau was nominated for a Grammy for Best R&B Performance in 1987. The group's version of "Lean on Me" was its most celebrated hit, resulting in a Grammy nomination for Song of the Year in addition to winning the Grammy for Best R&B Song that same year.[3] "Lean on Me" was also nominated for two American Music Awards, nominated and won a Bammy Award, a BRE Drummer award, a Bay Area Star award and it won two NARM (National Association of Recording Merchandisers) awards.
The 2015 lineup consists of King, Watson, and Prater.
In 2017, as part of Warner Music's divestment requirements as a result of its purchase of Parlophone, the group's Warner Bros. recordings were acquired by Tommy Boy Records, which worked 12-inch singles from its first album to clubs as a result of its emerging relationship with Warner and from being an expert in the format.