It is first recorded in 1859, when it was in the collection of Gugliemo Lochis, an inhabitant of Brescia, where it was misattributed to Titian - no previous owners are known. The first study of the work came in 1886 restored the correct attribution and dated it to Moretto's youth.[2]
References
^(in Italian) Valerio Guazzoni, Moretto. Il tema sacro, Brescia 1981
^(in Italian) Pier Virgilio Begni Redona, Alessandro Bonvicino - Il Moretto da Brescia, Editrice La Scuola, Brescia 1988, p. 92