Nicchiarelli conceived of the film during the early COVID-19 lockdowns in Italy after reading a book on Clare by historian Chiara Frugoni, who served as the script consultant for the film. According to Nicchiarelli, the dialogue is in "the Umbrian vernacular of the time". Linguist Nadia Cannata provided assistance for adapting the dialogue from modern Italian.[2] Nicchiarelli took inspirations for the musical numbers from films such as Hair and Jesus Christ Superstar.[2][3]
Nicholas Bell of IONCINEMA gave the film one out of five stars, writing, "While the subject matter lends itself to a necessary rigidity, Nicchiarelli only accomplishes in conveying a sense of the interminable in this ponderous exercise, attempting to enliven the production with musical numbers both distracting and cringeworthy."[5] Sheri Linden of The Hollywood Reporter described the film as an "earnest yet playful take on Clare", adding, "Chiara wanders, in ways that can be rewarding or confounding, but it takes chances."[6] Davide Abbatescianni of Cineuropa praised in particular Margherita Mazzucco as she "stands out in the cast on account of her seraphic and courageous portrayal of a girl and a woman who refuses to bend to her family’s violence or the pressure exerted by Cardinal Ugolini."[7]
