Chester Higgins Jr. (born November 1946) is an American photographer,[1][2][3][4] who was a staff photographer with The New York Times for more than four decades, and whose work has notably featured the life and culture of people of African descent.[5][6] His photographs have over the years appeared in magazines including Look, Life, Time, Newsweek, Fortune, Ebony, Essence and Black Enterprise, and Higgins has also published several collections of his photography, among them Black Woman (1970), Feeling the Spirit: Searching the World for the People of Africa (1994), Elder Grace: The Nobility of Aging (2000), and Echo of the Spirit: A Photographer’s Journey (2004).[7]
Historian Lonnie Bunch has said of Higgins: "He elevated photography from documentary to fine art."[13] Work by Higgins is included in the permanent collection of the Museum of Modern Art and has been included in numerous book collections and appeared in publications such as Newsweek, Fortune, Look, Essence and Life.
Higgins has traveled to the African continent some 50 times since first going to Senegal in 1971, and according to Lonnie Bunch: "He's capturing an Africa that has a spirit of hope, of possibility that in some ways he believes will shape the African-American experience as well."[13] An article about Higgins in the New York Amsterdam News observed: "In a world filled with negative visual depictions of people of color, what comes across in his decades of visual art is the love he has for Black people, a love he wishes they had for themselves as well."[14] A 2023 interview for Zeke magazine, Daniela Cohen quoted him as saying: "Essentially, validation is what I've always done with my camera. I started out with a love for my immediate family. But it's been consistently a love for people who look like me and who experience the same experience."[12]
In Sacred Nile, Higgins narrates the story of the African beginnings of spirituality, antecedents of the Biblical world along the River Nile from the 6,000-foot-high mountains of Kush (modern-day Ethiopia) through Nubia (Sudan) down to the ancient land of Kemet (Egypt).
2021: The Indelible Spirit, Bruce Silverstein Gallery (May 6–June 26, 2021)
2022: Chester Higgins: Signature of the Spirit, Shippensburg University (January 26–February 23, 2022)
Published books
With Machobane, Burns, Student Unrest at Tuskegee Institute: A Chronology, Behavioral Science Research Institute, Tuskegee University, Alabama, 1968. An academic community in conflict and its resolution.
With McDougall, Harold, Black Woman, New York: McCalls Publishing, 1970. A portrait of the universality of women and the uniqueness of being black during the 1960s.
With Coombs, Orde, Drums of Life, New York: Doubleday/Anchor Press, 1974. A portrait of the universality of men and the uniqueness of being black in the 1970s.
With Coombs, Orde, Some Time Ago, New York: Doubleday/Anchor Press, 1980. A historical portrait of blacks in the United States between 1850 and 1950.
^ abCohen, Daniela (April 2023). "Interview with Chester Higgins". Zeke: The Magazine of Global Documentary Photography. Social Documentary Network (SDN). Retrieved November 17, 2024.
