The Charles Playhouse is a theater at 74 Warrenton Street Boston in the Boston Theater District. The venue comprises an approximately 500-seat mainstage, which hosts the long-running Blue Man Group, and a 200-seat second stage branded as the comedy club Lil Chuck. The second stage previously hosted Shear Madness for 40 years, one of the longest runs in American theater history.[2][3][4][5]
History
In 1957, the Charles Playhouse opened at 54 Charles Street. In 1958, the company moved to the current Warrenton Street location.[6] The Warrenton Street building was originally built in 1839, as the Fifth Universalist Church from a design by architect Asher Benjamin.[7][8] In 1864, it became the second home of Congregation Ohabei Shalom, the first synagogue in Boston.[9] It was later transformed into a speakeasy called The Lido Venice, which became the Southland ballroom and cafe- featuring prominent jazz artists such as Count Basie, Duke Ellington, Cab Calloway, Jimmie Lunceford, and many others during the Jazz Age.[10][11]
The Charles Playhouse was regarded as one of the pioneering regional theaters in America. In his book, Regional Theatre: the Revolutionary Stage, Joseph Wesley Zeigler identifies it as one of six theatres which were the foundations of the Regional Theatre Movement.[15]
In 1995, Sugre sold the Charles Playhouse to Jon B. Platt, who operated the Colonial Theatre.[16] In 1998, Platt sold his Boston theatres to SFX Entertainment (now Live Nation).[17] In 2008, Live Nation sold most of its theatrical division, including the Charles Playhouse, to Key Brand Entertainment (now the John Gore Organization).[18]
After its 40-year run on the second stage, Shear Madness closed in March 2020, at the start of the COVID-19 epidemic.[4] In October 2024, the space reopened as Lil Chuck, a comedy club. The stage had previously opened as Boston's first dedicated comedy venue, the Comedy Connection, in 1978.[5]
^Elliot Norton (1978), Broadway Down East: an informal account of the plays, players, and playhouses of Boston from Puritan times to the present : lectures delivered for the National Endowment for the Humanities, Boston Public Library Learning Library Program, Boston: Trustees of the Public Library of the City of Boston, ISBN0-89073-055-5, OCLC3843437, OL4720054M, 0890730555
^Mary van Meter. "A New Asher Benjamin Church in Boston." Journal of the Society of Architectural Historians, Vol. 38, No. 3 (Oct., 1979), pp. 262- 266
^Zeigler, Joseph Wesley, Regional Theatre: the Revolutionary Stage, New York: Da Capo Press, 1977, pp. 24-61, Note: founding theatres cited by Zeigler are Alley Theatre, Houston (1947), Mummers Theatre, Oklahoma City (1949), Arena Stage, Washington DC (1950), Actor's Workshop, San Francisco (1952), Milwaukee Repertory Company (1954), Front Theatre, Memphis (1954), and Charles Playhouse (1957)