Charles Walton Morton, Jr. (1899–1967) was a writer and journalist. Morton served as the associate editor of The Atlantic Monthly for 26 years (1941–1967). He also wrote several books about publishing, relationships, and other subjects.[1] During his career, Morton achieved notoriety as one of the most noted humorists in the U.S.[2]
After joining The Atlantic, Morton founded the Accent on Living Department in 1943. The department published his monthly essays and articles on observations of American living. Morton later published collections of these essays in his books.[5] In 1948, The Atlantic elected Morton to their board of directors.[2]Robert Manning, editor-in-chief of the magazine, noted of Morton:
Charles Morton meant more to The Atlantic than his modest spot on the masthead could have made clear. He added to our editorial deliberations, and to our pages, a profound distaste for the bogus, the pedantic, and the self-interested argument. He forced us to look sharply at our world's congenital foolishness, he made us laugh, and he long ago made us realize that he won't be replaceable. He was one of a kind.
Morton lived on Ash Street in Cambridge, Massachusetts. During his career, Morton stayed well-connected to nearby Harvard University. He also grew a national network of connections with leaders at major newspapers. His local connections with Nieman Fellows at Harvard helped him to establish this network. During the 1940s, Morton worked with Francis Dahl, the Boston Herald's cartoonist, to produce two books. Dahl made the cartoons, and Morton wrote the text.[2]
Elongated yellow-fruit writing
Time magazine ran a 1953 story titled "The Press: Elongated Fruit", which examined Morton's use of the term "the elongated yellow-fruit school of writing".[6] Morton coined the term to characterize writing styles that use inelegant variants for second reference of a word. The phrase "elongated, yellow fruit" relates to a second reference for bananas. In his book A Slight Sense of Outrage, Morton states that this type of faulty usage "lies somewhere between the cliché and the 'fine writing' so dreaded by teachers of English composition. ... It does bespeak an author who wishes to sound witty, knowledgeable, and versatile. ... It can also bespeak an author who is merely pompous."[7]
Garner's Modern American Usage describes several examples of Morton's labeling of writing as "the elongated yellow-fruit school of writing":[8]
Elongated yellow fruit (banana)
The numbered spheroids (billiard balls)
The azure-whiskered wifeslayer (the fairy tale character Bluebeard)
Morton married Mildred Wadleigh Penick. They had two children Patricia (deceased) and Cynthia.
Works
Dahl's Boston (1946)
Dahl's Brave New World (1947)
Frankly, George Or Letters to a Publisher From An Author Whose First Book Is About To Appear (1951)
How To Protect Yourself Against Women – And Other Vicissitudes (1951)
A Slight Sense of Outrage (1955)
It Has Its Charms (1966)
References
^ ab"Charles Morton, Writer, 68, Dead". The New York Times. September 24, 1967.
^ abcde"Atlantic Editor Charles Morton". The Boston Globe. September 24, 1967. p. 79.
^Rae, John (2002). Morristown: A Military Headquarters of the American Revolution.
^Morton, Charles W. (1966). It Has Its Charms. Lippincott. p. 109. "I had been the editor of the school paper, The Morristonian, and I had written a couple of burlesques that the Williams Magazine, The Purple Cow, published in the fall of 1916, but I had made no attempt to write for the next ten years after that."
^"C.W. Morton, Editor and Essayist". The Washington Post. The Associated Press. September 25, 1967.